Depth of Focus

About …   Depth of Focus

One thing we ALL hear when chatting with friends is,”Look at this – this is a great shot!” Inevitably, it is a cell phone photo of a friend of theirs and is a record of some sort of special moment. When people show me images on their cell phones and say,”Isn’t this great!”, I understand and acknowledge how special the photo is to them. However, if it is someone who is making the same statement about an image they’ve been hired to shoot and ask my opinion…the answer might be different.

Camera phones photos are now an integral part of our every day life. While the cameras in cell phones are good for many things, they are not currently capable of taking high quality and high resolution images. They also lack depth of focus control which is an important aspect of professional photographs. There are physical limitations to lens and chip size that make cell phones unable to compete with high end digital cameras with interchangeable lenses.

The most common use of a cell phone camera is, of course, selfies. No matter where we go, there are people taking selfies in front of this or that, selfies with a friend, or selfies of a new hat or new makeup. Every night out on the town adds more camera phone images and records of fun or embarrassing moments. The thing that people don’t notice or care about is how distorted, color incorrect, and low resolution these images are. This is because they are more interested in the “feeling” and memory of those moments rather than the technical issues. In addition, the images are mostly shared on social media and rarely made into prints and even if an image does go to print, the sizes are usually small.

The market for professional photography has been drastically reduced because cell phone photos are often deemed “good enough” and in some cases this is true, but there are instances where only a professional photo will be acceptable.
If someone buys you flowers and you take a photo of the beautiful bouquet, that’s “good enough”, but if you are a florist and need a shot of an arrangement you have created, a professional photo should be taken. Here is an example of the same photo taken with a professional camera and a cell phone.
It is obvious the flower is in focus in both shots but the background is drastically different. The “depth of focus” (sometimes referred to as “depth of field”) control is much greater with the pro camera and lens. Even though the cell phone was an iPhone X set on “portrait” mode to try and get the DOF reduced, there is still way too much in focus to make the shot pleasing.

 

Actors Headshot los angeles Actors Headshot los angeles Actors Headshot los angeles Actors Headshot los angeles

A side note at this juncture… if you are reading this and think the cell phone photo of the flower is better “because it’s sharper”, please stop reading and delete me from your notifications because I might also write a blog about “Bud” being sewer water NOT beer.

Depth of focus control becomes VERY important when people are involved. How many times have you seen an otherwise wonderful image messed up because of some yahoo in the background? A basic rule of photography is to isolate your subject to control where the viewer looks. When someone looks at a photograph you have taken, it is important that they are drawn to what you thought was important in the photo NOT what is in the background. If nothing else, photos with everything in focus are simply too “busy” and cluttered.
Hiring a professional photographer to shoot a family portrait is getting more rare because people see cell phone photos as “good enough” and “more real” and certainly less expensive. While these points are well taken, it should be noted that there are tradeoffs. Lens distortion, depth of focus, and often color issues are addressed only by professional equipment and in the hands of a professional photographer.

Here is an example of a shot of my son taken in the exact same spot in our yard. Taken with a cell phone, everything is in focus and the shot is cluttered and busy. Taken with my professional camera and lens, I can control the depth of focus and isolate him against a soft pretty focus controlled background. The difference in the two images is more than just depth of focus, there is a more intimate “feel” to the pro lens shot because the photo is ALL about him. There are no trees, flags, grass, gates, or sidewalks to distract from our view of just him. In addition, in the cell photo, his head is disproportionally large due to the distortion from the lens. This is a result of the lens being a “wide angle” instead of a “telephoto” lens a professional photographer would use. I’ll address this issue in another blog but for now, Depth of Focus, is the challenge.

Actors Headshot los angeles

Actors Headshot los angeles

Situations where DOF control becomes a critical part of image making are: head shots for actors, models, business people, celebrities, or family portraits. Any photo that will be used for publication, advertising, promotion, or ANY publicly viewed image. For these types of images, it is critical that ALL the attention goes to the subject. Backgrounds should never be distracting or take away from the image. Cell phone cameras simply cannot, because of lens and chip size limitations, compete with pro equipment.
Too often corporate heads will say,”Well..Jimmy in the mailroom has a camera. He can shoot our product. That’s good enough!” Corporate heads are trying to save money, understandably, but even though I can make a killer quiche, I won’t call myself a chef. A good chef has the tools and the talent that I do not.

When to hire a professional photographer is up for debate but the question of results is obvious. Being able to control Depth of Focus will make better images, sell more product, look more professional, and guarantee better results.

This year’s Labor Day weekend ….

Nope.  I didn’t got to the Burning Man.

I had four days off !   I laid one more row of cement block on my front retaining wall (125 feet long!) then stucco on the whole thing, then brick cap on top.
Too old for this shit!

I love doing projects like this.

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Kinbaku Photography

On April 11th I am proud to announce, I will be hosting a Kinbaku Workshop with legendary Master K.

Author or several books on this fascinating erotic art form, Master K is well known and respected all over the world.

We have two models, one of which is adorable porn star, Marica Hase. We are keeping this class SMALL, so it is imperative that you sign up right away if you are interested.

I will be teaching the lighting and photography.

This is a one day class held at my studio.

$750 = and you will own all the images, of course

Contact me at:

Michael@MichaelHelms.com

Kinbaku Photography Marika Hase

Marika Hase by Kinbakushi Marcus Ranum

 

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Kinbaku photography workshop

9 am
Michael=about photography

9:30 am
Marika Hase (Kimono) / Photo shoot ops

10:30 am
Master K … about Kinbaku – Basic History and art

11 to 12
Photo ops / As Master K & Marika

12 to 1 Q and A …. Master K, Marika and Michael
Brown bag Lunch break.

1 pm to 3 pm .. Photo shoot
– Photographers are split into two groups Group A and Group B. – 30 min each)

1 to 2 pm
Master K with MODEL 1
(1 to 1:30. Group a & 1:30 to 2 pm. Group B)
Kinbakushi 2 with MODEL 2
(1 to 1:30 Group B & 1:30 to 2 Group A)

2 pm to 3 pm
Master K with Model 2
(2 to 2:30 – Group B & 2:30 to 3 pm Group A)
Kinbakushi 2 with Model 1
(2 to 2:30 – Group A & 2:30 to 3 pm Group B)

3:15 to 5 pm
Photo Critique and photoshop with Michael Helms

Instagram!

Here’s Link to my instagram page:

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ANIMALS! Production Stills

Men Are Pigs - by Randy Gross

 

Men Are Pigs by Randy Gross

 

Rusty Goes to the Vet by Frederick Stoppel

 

Building a Better Bordello by Felix Racelis

 

Blindman's Bluff by Steven Korbar

 

Blindman's Bluff by Steven Korbar

You're Not Walking by Chris Widney

 

Avery by Roy Battocchio

Avery by Roy Battaocchio

MOCKINGBIRD

The Gospel According to Bowser

The Gospel According to Bowser

 

Headshot Photography Workshop –

Special Intensive Weekend Workshop:

Saturday, September 14 –
Sunday, September 15 –
(9 AM to 5 PM)

Saturday, 9 AM to 12 noon – Introduction
Saturday, 1 PM to 5 PM – Basic 

Sunday, 9 AM to 12 noon – Intermediate
Sunday, 1 PM to 5 PM – “Starting up as a business” / Special Guests

Two Days for $350

Individual Workshop:
Introduction $120
Basic: $150
Intermediate: $200
Seminar: “Starting up your photography business”: $120

Question?  email

Actors’ Headshot – Marketing

There are some distinct advantages to being in this business for 40 years. One is simply experience. The other is an awareness of evolutionary changes in marketing. In other words – the way head shots have changed over the years and what is current.

One simple fact is that very few actors really understand their chosen art form is a business. Very few actors are able to look in the mirror and OBJECTIVELY figure out how to market their product because their product is themselves. For all of us, seeing ourselves objectively is difficult at best.

Also, this marketing has evolved over the years.

The internet has hugely influenced the way head shots are done nowadays. Since your image will be relatively small and on a page full of other head shots, it is important to make you photo stand out.

Remember: This is the size of your pic Casting Directors would see when they are looking at submissions:

Los Angeles Actors headshot Julie by Michael Helms

This is Cute – but it would get “lost” in the pile:

One way to do that is wear very colorful clothing and have colorful backgrounds in your image.

Another way is to be as high profile as possible and have a Twitter account, Facebook, a personal web site, and any other social media.

My friend, Jim Beaver, is great example.

His FaceBook is filled with contents about his career and his interests.   His SuperNatural fans dig his Twitter updates, too.

Another GREAT example is a great stage actor Bill Oberst Jr.  (Google him!)  His Website is VERY ENTERTAINING.

The internet is a wonderful thing but it also requires actors to put time into their careers more than ever.

Look at lots of other head shots. Make sure what you are about to shoot isn’t dated but is current.

Your photographer should also know what is current, how to shoot your head shot so it looks professional and marketable, and give you at least 3 “looks” to work with.

Be aware… all things evolve… even head shots!

The head shot!

I suppose it’s a good thing that after 37 years of shooting head shots for actors, that I still enjoy it. I attribute this to the fact that I find people endlessly fascinating and what better place to be a head shot photographer than in Los Angeles! I get all sorts of fascinating characters through my photo studio and I sometimes think it should be a sit com.

In the past, an actor would get a recommendation from his Agent or manager for what head shot photographer to go visit. Usually an actor would meet with four or five photographers, look at their portfolios, check out the studio, and choose who they felt would be the best for the images they needed. This decision making process was good for everyone, actor and photographer alike although it required the photographer to sit through hours of seemingly endless and unnecessary recitations of resumes.

While I understand the concept that an actor wants the photographer to capture a certain essence, it has little bearing on whether or not that actor will actually book a job. The reason for this is that very very few actors see their casting. Every actor has an idea of the roles they want to play in film, commercials, or on stage but very few actors understand that it is a business and they will be cast according to how they look to a casting office.

An example of this would be a girl who came to my studio for head shots and she handed me photos of fashion models and proclaimed,”I want photos like these!”. What amused me was that MY idea of her casting was that she would be prefect in a role as a midwest farmers wife…perhaps pulling a plow. Suffice it to say she was NOT in shape for Victoria’s Secret.

Agents in Los Angeles have lists of head shot photographers that they recommend and I am fortunate to be on almost all of those lists. So, it presented me with a challenge, because, knowing her agent, if I shot images the agent liked, she would be unhappy but if I shot images she liked, the agent would be displeased.

I suggested to her that she show her agent what wonderful versatility she had as an actress. I told her she should shoot some rather plain images, then we could add more makeup and fluff her hair for more sexy images. She reluctantly agreed.

A week went by and I got a call from her and I winced as I asked her how she liked her photos. This was in the days of film so it would take a few days to process. She told me she was really happy with “some of them but some of the others she liked less”. I asked her if she had shown them to her agent and she frustratingly replied,”YES…and you won’t believe what he said to me. He said he liked the plain ones and could use those but the pretty shots he didn’t like. He said to me, these are pretty but I can’t use them because you aren’t pretty!”

“Yikes!” I responded,”What did you do!?”

“Well, I’m looking for another agent!” she growled.

I have had actors in my studio who did their best to imitate Robert DeNiro, sexy women who wanted to play “smart” roles, nerdy looking guys who wanted to be James Bond, and the aforementioned chubette who wanted to be Cindy Crawford.

When an actor walks through my doors, I know in the first minute how I am going to light him. I already know what roles he will get. I already know, after years doing head shots in Los Angeles, how an actor will be marketed. But it is not my job to make those decisions but rather to provide and actor with what type of photos HE/SHE wants. I make suggestions, I talk it over with all my clients, I can tell them what wardrobe I think will work, and I can let each individual know what the trends in head shots are current, but ultimately every actor needs to do their homework and see this as a business and realize they are a product and how best to market that product.

The idea is to have a head shot that gets you called in to a casting that, when you arrive and look around the casting office, you see actors who are in the same category. You don’t want to look around and see people who are 40 years older.

If an actor looks at TV, film, and commercials and identifies characters that “look like” him, he will know how to dress for a photo shoot. Basically an actor needs a smiling head shot for commercials and a more serious shot for theatrical purposes. Nothing more.

Casting offices generally know what type they are going to choose for any given role, so if you got a call, you have a shot!

The rest is up to you!