Depth of Focus

About …   Depth of Focus

One thing we ALL hear when chatting with friends is,”Look at this – this is a great shot!” Inevitably, it is a cell phone photo of a friend of theirs and is a record of some sort of special moment. When people show me images on their cell phones and say,”Isn’t this great!”, I understand and acknowledge how special the photo is to them. However, if it is someone who is making the same statement about an image they’ve been hired to shoot and ask my opinion…the answer might be different.

Camera phones photos are now an integral part of our every day life. While the cameras in cell phones are good for many things, they are not currently capable of taking high quality and high resolution images. They also lack depth of focus control which is an important aspect of professional photographs. There are physical limitations to lens and chip size that make cell phones unable to compete with high end digital cameras with interchangeable lenses.

The most common use of a cell phone camera is, of course, selfies. No matter where we go, there are people taking selfies in front of this or that, selfies with a friend, or selfies of a new hat or new makeup. Every night out on the town adds more camera phone images and records of fun or embarrassing moments. The thing that people don’t notice or care about is how distorted, color incorrect, and low resolution these images are. This is because they are more interested in the “feeling” and memory of those moments rather than the technical issues. In addition, the images are mostly shared on social media and rarely made into prints and even if an image does go to print, the sizes are usually small.

The market for professional photography has been drastically reduced because cell phone photos are often deemed “good enough” and in some cases this is true, but there are instances where only a professional photo will be acceptable.
If someone buys you flowers and you take a photo of the beautiful bouquet, that’s “good enough”, but if you are a florist and need a shot of an arrangement you have created, a professional photo should be taken. Here is an example of the same photo taken with a professional camera and a cell phone.
It is obvious the flower is in focus in both shots but the background is drastically different. The “depth of focus” (sometimes referred to as “depth of field”) control is much greater with the pro camera and lens. Even though the cell phone was an iPhone X set on “portrait” mode to try and get the DOF reduced, there is still way too much in focus to make the shot pleasing.

 

Actors Headshot los angeles Actors Headshot los angeles Actors Headshot los angeles Actors Headshot los angeles

A side note at this juncture… if you are reading this and think the cell phone photo of the flower is better “because it’s sharper”, please stop reading and delete me from your notifications because I might also write a blog about “Bud” being sewer water NOT beer.

Depth of focus control becomes VERY important when people are involved. How many times have you seen an otherwise wonderful image messed up because of some yahoo in the background? A basic rule of photography is to isolate your subject to control where the viewer looks. When someone looks at a photograph you have taken, it is important that they are drawn to what you thought was important in the photo NOT what is in the background. If nothing else, photos with everything in focus are simply too “busy” and cluttered.
Hiring a professional photographer to shoot a family portrait is getting more rare because people see cell phone photos as “good enough” and “more real” and certainly less expensive. While these points are well taken, it should be noted that there are tradeoffs. Lens distortion, depth of focus, and often color issues are addressed only by professional equipment and in the hands of a professional photographer.

Here is an example of a shot of my son taken in the exact same spot in our yard. Taken with a cell phone, everything is in focus and the shot is cluttered and busy. Taken with my professional camera and lens, I can control the depth of focus and isolate him against a soft pretty focus controlled background. The difference in the two images is more than just depth of focus, there is a more intimate “feel” to the pro lens shot because the photo is ALL about him. There are no trees, flags, grass, gates, or sidewalks to distract from our view of just him. In addition, in the cell photo, his head is disproportionally large due to the distortion from the lens. This is a result of the lens being a “wide angle” instead of a “telephoto” lens a professional photographer would use. I’ll address this issue in another blog but for now, Depth of Focus, is the challenge.

Actors Headshot los angeles

Actors Headshot los angeles

Situations where DOF control becomes a critical part of image making are: head shots for actors, models, business people, celebrities, or family portraits. Any photo that will be used for publication, advertising, promotion, or ANY publicly viewed image. For these types of images, it is critical that ALL the attention goes to the subject. Backgrounds should never be distracting or take away from the image. Cell phone cameras simply cannot, because of lens and chip size limitations, compete with pro equipment.
Too often corporate heads will say,”Well..Jimmy in the mailroom has a camera. He can shoot our product. That’s good enough!” Corporate heads are trying to save money, understandably, but even though I can make a killer quiche, I won’t call myself a chef. A good chef has the tools and the talent that I do not.

When to hire a professional photographer is up for debate but the question of results is obvious. Being able to control Depth of Focus will make better images, sell more product, look more professional, and guarantee better results.

Year 2017

HAPPY NEW YEAR

So, we have said goodbye to 2016. One thing that is always good this time of year is that we all get to start 2017 with a clean slate and good intentions. New Year’s resolutions aside, it is a good time to see what was positive in 2016 and continue doing whatever it was with renewed vigor. We get to fix what was broken and keep what worked.

In the business of being an actor, it’s easy to let things slide because you are your own boss. Not too many agents in LA are going to call you up and ask how you are, how was your day, and how they can help get you more work.

Most agents these days just want to cut contracts. As harsh as that may sounds, when you look at it from their perspective, they have a huge pool of people who want to be actors and very little time to develop and guide individuals. YOU have to get the work and then they will do the contract deal. That means you have to make sure they have all the tools they need at their disposal. Your resume, reel, and head shot must all be up to date and available.

In less than a year, if you are going out much at all, most casting directors will have already looked at your head shot. Whether you got an audition or not, your photo has been out there and, hopefully, circulating. With that thought in mind, your head shot can become “stale”. If you are being submitted (or are submitting yourself) but are not getting any auditions, then you need a new head shot. If you have five head shots and only two of them are getting you called in, then replace the other 3 with something new.

Point is, your head shot is your first point of attack, your first calling card, and your first opportunity to get in the door. To let that slide is to undermine your career from the get go.

I look forward to seeing you all in 2017. Start the New Year with a fresh shot and listen for opportunity to knock!

HAPPY NEW YEAR!

Michael Helms

 

Happy New Year -

Happy New Year –

Photography Workshop – Weekend intensive – July 2016

Actors Headshots Photography

This gallery contains 2 photos.

RESERVE YOUR SPOT – EventBrite   STUDIO vs. NATURAL LIGHT SPECIAL WEEKEND SEMINAR: Saturday 10 AM to 4 PM Sunday, 10 AM to 5 PM $375.00 – Two Day Intensive Saturday – Arts of Photography Basic of Photography – Natural Light vs. Studio Light How to work with Lighting equipments Glamour – Old Hollywood Look […]

This year’s Labor Day weekend ….

Nope.  I didn’t got to the Burning Man.

I had four days off !   I laid one more row of cement block on my front retaining wall (125 feet long!) then stucco on the whole thing, then brick cap on top.
Too old for this shit!

I love doing projects like this.

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Shooting engagement in Nashville!

We are going to see my parents in Nashville in September to cerebrate Squi’s 3rd birthday!

So, while we are there – I thought I should shoot some artists!   Contact Kaz via email to make an appt!

Headshot-photographer-Michael-helms

Interview: Magic Image 12/10

Headshots and Effective Marketing by Michael Helms

Los-Angeles-Headshot-Photographer-Michael-Helms

Bryan Batt

I have been a professional photographer in Los Angeles for 35 years. The thing I hear most when actors come to my studio is, “I just want a photo that really captures ME and who I really am!”

While this may sound good, it tells me there is a very basic lack of understanding of how this business works and how to carry out a strong marketing strategy. As harsh as it may sound, not ONE casting director in all of LA concerns themselves with who you really are. It is their job to CAST you not analyze you.

If you are a 30 year old female, you will get “Mom” roles, business women, nurses, a wife, or a host of other characters seen on TV and in movies. It doesn’t matter if you REALLY ARE a Mom or not…that’s why it’s called ACTING. If you are a curvy girl, don’t shoot sexy photos because you’ll get called in for an audition and find yourself in a room full of skinny models. Conversely, if you are a lovely young woman and you have a nice figure, understand that this is a business driven by money. What sells on TV and in movies is sex and violence. So make sure you have a sexy head shot.

Danny DeVito is a sexy leading man to Rhea Perlman because she is married to him, but it is not his casting. While “type casting” may not be right or fair, it is what it is. Get used to it.

Research, research, research to find the right photographer. The guy in your acting class who has a camera and will do your headshots for free or for fifty bucks is NOT a working professional. An actor who does head shots on the side is NOT a working professional photographer and if he has an audition the day of your shoot – you will be out of luck.

If you want this to be your career – invest in it. Go to a professional photographer. Look for someone with a studio (who can shoot natural light OR studio light), who has been in business for 10 years or more, who has a GOOD web site.

Los Angeles Actors Headshot by Michael Helms

GO SEE THEM! Don’t go to someone who shoots out of their apartment. Simply put, go to a pro. Beware of Agents or managers who INSIST you go to their photographer. An Agent should give you a list of known working pro photographers that you can choose from.Get plenty of sleep the night before your shoot. Don’t get involved in an argument with your significant other.

Don’t bring “a friend” to your photo shoot. Don’t bring your family or Mother or your dog. This is YOUR day.  Most of all… ENJOY your photo shoot. I often hear actors say how much they “hate having their photos taken”. This is your career…learn to love it. ALL of it. Taking headshots is an acting job just like any other acting job.

If someone tries to tell you “film is better than digital”, just walk away. You should expect to shoot, look at the photos on a computer, get them retouched, and have them burned onto a CD, and walk out with them done all in the same day.

Basically, it is a business. If you treat your acting career like a business, you will have a much greater chance of success!

For Actors: Camera gear n Photographer

Actors’ Headshots – the most important tool to Jump start your career!  Take it seriously.

I guess I am becoming Mr. Wolff in the headshot business nowadays.

Today I got yet another set of head shots in my email from an actor wanting me to see if I could save a disastrous set of photos. He decided to shoot with a “friend”. He thought he could help his friend get more established and add to his portfolio.

What he sent me was a set of photos that wouldn’t pass Photo 101 in any reasonable course study of photography. The photographer used a camera that is just slightly better than a point and shoot. He used the wrong lens for a head shot (35mm). He shot from a disturbingly bad angle (BAD idea to shoot UP at a jowly dude!) and the lighting was deplorable.

But the actor thought the photos were “OK, but not that great”. He asked me if I could “…fix them up a bit till he could come in and shoot with me”.

Why would an actor spend $100 on headshots OVER and OVER again before they get ONE SET of headshots that works for them?

I will offer one easy quick piece of advice at this point. If you are looking for a professional photographer to take your head shots, ask this simple question. “What camera do you use?”

And if the camera cost less than $2,500. Then just keep searching because professional cameras start at that base price. I have seen beautiful images shot on a cell phone, so I am not saying wonderful images cannot be shot on a lesser price camera. However, professional photographers use professional equipment. He will also have a backup in case something happens with his primary camera.

If an actor, model, or corporate leader takes their business seriously, they will invest in professional photos. You can help your friends, but don’t use it to represent you.

Photography is an expensive profession.  Just FYI – here’s my equipment – AKA: guns: (yeah, brag brag!)

 

Canon 1DS Mark II camera (primary camera)- $8,000.actors headshots by Michael Helms - blog - equipment

Canon 7D (backup camera) – $1,700.

Canon 16-35mm f2.8 lens – $1,700.

Canon 24-70mm f2.8 lens – $1,600.

Canon 70-200mm f2.8 AF IS lens – $2,500.

Canon 85mm f1.2 lens – $2,200.

Canon 100mm f2.8 lens – $1,000.

Canon 135mm f2.0 lens – $1,100.

I have also invested in lighting equipment, stands, computers, and a full studio with all the amenities.actors headshots by Michael Helms - blog - equipment

In short, I have survived the competitive LA market as a photographer for over 35 years because I take my job seriously and invest in my career. I continue to invest in my career.

To find the right photographer, ask for referrals, look at web sites, interview photographers IN PERSON, and ask a lot of questions. BEFORE you “just try and help a friend” put your career first.