Depth of Focus

About …   Depth of Focus

One thing we ALL hear when chatting with friends is,”Look at this – this is a great shot!” Inevitably, it is a cell phone photo of a friend of theirs and is a record of some sort of special moment. When people show me images on their cell phones and say,”Isn’t this great!”, I understand and acknowledge how special the photo is to them. However, if it is someone who is making the same statement about an image they’ve been hired to shoot and ask my opinion…the answer might be different.

Camera phones photos are now an integral part of our every day life. While the cameras in cell phones are good for many things, they are not currently capable of taking high quality and high resolution images. They also lack depth of focus control which is an important aspect of professional photographs. There are physical limitations to lens and chip size that make cell phones unable to compete with high end digital cameras with interchangeable lenses.

The most common use of a cell phone camera is, of course, selfies. No matter where we go, there are people taking selfies in front of this or that, selfies with a friend, or selfies of a new hat or new makeup. Every night out on the town adds more camera phone images and records of fun or embarrassing moments. The thing that people don’t notice or care about is how distorted, color incorrect, and low resolution these images are. This is because they are more interested in the “feeling” and memory of those moments rather than the technical issues. In addition, the images are mostly shared on social media and rarely made into prints and even if an image does go to print, the sizes are usually small.

The market for professional photography has been drastically reduced because cell phone photos are often deemed “good enough” and in some cases this is true, but there are instances where only a professional photo will be acceptable.
If someone buys you flowers and you take a photo of the beautiful bouquet, that’s “good enough”, but if you are a florist and need a shot of an arrangement you have created, a professional photo should be taken. Here is an example of the same photo taken with a professional camera and a cell phone.
It is obvious the flower is in focus in both shots but the background is drastically different. The “depth of focus” (sometimes referred to as “depth of field”) control is much greater with the pro camera and lens. Even though the cell phone was an iPhone X set on “portrait” mode to try and get the DOF reduced, there is still way too much in focus to make the shot pleasing.

 

Actors Headshot los angeles Actors Headshot los angeles Actors Headshot los angeles Actors Headshot los angeles

A side note at this juncture… if you are reading this and think the cell phone photo of the flower is better “because it’s sharper”, please stop reading and delete me from your notifications because I might also write a blog about “Bud” being sewer water NOT beer.

Depth of focus control becomes VERY important when people are involved. How many times have you seen an otherwise wonderful image messed up because of some yahoo in the background? A basic rule of photography is to isolate your subject to control where the viewer looks. When someone looks at a photograph you have taken, it is important that they are drawn to what you thought was important in the photo NOT what is in the background. If nothing else, photos with everything in focus are simply too “busy” and cluttered.
Hiring a professional photographer to shoot a family portrait is getting more rare because people see cell phone photos as “good enough” and “more real” and certainly less expensive. While these points are well taken, it should be noted that there are tradeoffs. Lens distortion, depth of focus, and often color issues are addressed only by professional equipment and in the hands of a professional photographer.

Here is an example of a shot of my son taken in the exact same spot in our yard. Taken with a cell phone, everything is in focus and the shot is cluttered and busy. Taken with my professional camera and lens, I can control the depth of focus and isolate him against a soft pretty focus controlled background. The difference in the two images is more than just depth of focus, there is a more intimate “feel” to the pro lens shot because the photo is ALL about him. There are no trees, flags, grass, gates, or sidewalks to distract from our view of just him. In addition, in the cell photo, his head is disproportionally large due to the distortion from the lens. This is a result of the lens being a “wide angle” instead of a “telephoto” lens a professional photographer would use. I’ll address this issue in another blog but for now, Depth of Focus, is the challenge.

Actors Headshot los angeles

Actors Headshot los angeles

Situations where DOF control becomes a critical part of image making are: head shots for actors, models, business people, celebrities, or family portraits. Any photo that will be used for publication, advertising, promotion, or ANY publicly viewed image. For these types of images, it is critical that ALL the attention goes to the subject. Backgrounds should never be distracting or take away from the image. Cell phone cameras simply cannot, because of lens and chip size limitations, compete with pro equipment.
Too often corporate heads will say,”Well..Jimmy in the mailroom has a camera. He can shoot our product. That’s good enough!” Corporate heads are trying to save money, understandably, but even though I can make a killer quiche, I won’t call myself a chef. A good chef has the tools and the talent that I do not.

When to hire a professional photographer is up for debate but the question of results is obvious. Being able to control Depth of Focus will make better images, sell more product, look more professional, and guarantee better results.

Japan 2017 – Day 5 – March 22

Another full day in Japan. It was the day John Jack (by now, better known as “Jesus Jack”) had to head back to Los Angeles. We sooo enjoyed his company that we hated to see him leave. We have a tradition when we are in Japan that we go to Dennys for breakfast. Yep – I said “Dennys”. It’s a funny aberration of what we have here but is none the less a Dennys – logo and all. There are lots of things you can get at Dennys in Japan that just aren’t available at the Dennys here, so it makes it an adventure. Salmon and rice with natto (fermented soybeans – yum) is on the menu and quite delicious in my opinion. Google “natty” – it’ll bring a smile to your face.Los Angeles Headshot Photographer los angeles photographer
The Japanese never seem to offer decaf coffee in their restaurants, so those of us who drink it end up having to drink the regular “high test” and get a caffeine rush to start the day. So after breakfast, I was ready to run a marathon but it was time to take Jesus Jack to the hotel so he could hop a bus to Haneda airport.
We were about a week early for the cherry blossoms but we found one tree that was blooming and did a selfie with JJ in front of it for a good memory.  We got JJ on the bus at the Shinjuku Hilton and Squi did his now famous “Goodbye Dance” that he had invented especially for this trip. As bad as we felt seeing our dear friend leave, I think JJ felt even worse knowing there are so many adventures to be had in Japan and he didn’t have enough time to explore. Next time, JJ.Los Angeles Headshot Photographer One of the top things on our “To Do” list in Japan was to take Squi to the Doraemon Museum. Doraemon is a Japanese animated figure that has been around a long time. It was Kaz’s favorite character when she was a kid and now it is one of Squi’s favorites. The museum, I am sorry to say, was a HUGE disappointment. It WAS more of a historical museum than a place for children. Oddly there were large fiberglass castings of the characters in the Doraemon cartoons but they had signs on them not to touch them or climb on them. Some were available to touch and take photos with but most of them were off limits. It was like having kids in a candy shop and not letting them have most of it. While I did enjoy reading about the history of it, it was disappointing from the standpoint of a good time for Squi. He got bored and was wanting to touch all the “untouchable” so we cut our visit down a bit.Los Angeles Headshot Photographer Los Angeles Headshot Photographer Michael Helms Los Angeles Headshot Photographer

We jumped train and headed to Yokohama to nose around and visit, of all places, Chinatown. So weird to me to go to Japan and visit Chinatown but it was interesting and fun. We had some good food and walked our legs off. The ship “Nippon Meru” is in a dock there and is a beautiful old vessel. It was built in 1930 in Kobe and was a training vessel for the Japanese Merchant Marine. I’m not sure if it is the original ship or a replica but it is a lovely old thing if you are into ships.

Los Angeles Headshot Photographer Los Angeles Headshot Photographer

Our dear friend, Tamara, is into anything “Panda”, so we sent her a text message with a photo of a shop in Chinatown that is COMPLETELY dedicated to all things Panda! I’m sure she will have to buy a ticket to Japan just to shop in that store. I’m sure she would go crazy buying panda stuff and have to buy another suitcase for her trip home.

Los Angeles Headshot Photographer Michael Helms

We were exhausted again from a full day of walking, shopping, eating, and riding trains so we headed back to our room and had a nightcap of sake and beer. Nice way to end another terrific day in this gracious wonderful country.

Year 2017

HAPPY NEW YEAR

So, we have said goodbye to 2016. One thing that is always good this time of year is that we all get to start 2017 with a clean slate and good intentions. New Year’s resolutions aside, it is a good time to see what was positive in 2016 and continue doing whatever it was with renewed vigor. We get to fix what was broken and keep what worked.

In the business of being an actor, it’s easy to let things slide because you are your own boss. Not too many agents in LA are going to call you up and ask how you are, how was your day, and how they can help get you more work.

Most agents these days just want to cut contracts. As harsh as that may sounds, when you look at it from their perspective, they have a huge pool of people who want to be actors and very little time to develop and guide individuals. YOU have to get the work and then they will do the contract deal. That means you have to make sure they have all the tools they need at their disposal. Your resume, reel, and head shot must all be up to date and available.

In less than a year, if you are going out much at all, most casting directors will have already looked at your head shot. Whether you got an audition or not, your photo has been out there and, hopefully, circulating. With that thought in mind, your head shot can become “stale”. If you are being submitted (or are submitting yourself) but are not getting any auditions, then you need a new head shot. If you have five head shots and only two of them are getting you called in, then replace the other 3 with something new.

Point is, your head shot is your first point of attack, your first calling card, and your first opportunity to get in the door. To let that slide is to undermine your career from the get go.

I look forward to seeing you all in 2017. Start the New Year with a fresh shot and listen for opportunity to knock!

HAPPY NEW YEAR!

Michael Helms

 

Happy New Year -

Happy New Year –

Photography Workshop – Weekend intensive – July 2016

Actors Headshots Photography

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RESERVE YOUR SPOT – EventBrite   STUDIO vs. NATURAL LIGHT SPECIAL WEEKEND SEMINAR: Saturday 10 AM to 4 PM Sunday, 10 AM to 5 PM $375.00 – Two Day Intensive Saturday – Arts of Photography Basic of Photography – Natural Light vs. Studio Light How to work with Lighting equipments Glamour – Old Hollywood Look […]

Summer 2015 – Headshot Workshop

Special Intensive Weekend Workshop:

Saturday,  July 11
Sunday, July 12
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Saturday, 9 AM to 12 noon – Introduction
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Individual Workshop:
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Intermediate: $200
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Photoshop ­ – to retouch or NOT to retouch

One of the things I hear a lot these days is “I want my photo to look natural”. Yet, when I sit down in front of a computer monitor after a photo session to view their head shots, I hear ”can you fix this, and that, and that, and….”

In this age of digital manipulation, the general rule is: It is a GOOD thing to Photoshop your photos, it is a BAD thing to OVER­Photoshop your photos”

If you are in the public eye ­ an actor, model, CEO, or celebrity ­ you need to be aware of your image. The first thing to know is that you are not in the business of reality.

You are in a business of fantasy or at the very least idealism. No one who views your photos wants to know you had a zit the day of your photo shoot. No one is interested in seeing your blobby mascara, nose hairs hanging out, or blood shot eyes, even though that’s the “way it really looked” or the way it was “naturally”. When we view photos of George Clooney, we want him to look as perfect as our fantasies imagine him. We want Angelina Jolie to have flawless skin, perfect hair, and a trim lovely figure.

Dove has been running a campaign the last few years showing makeovers and accentuating all the stuff done in Photoshop afterwards. The idea is to show the “real” faces of models and therefore make them more “human” and accessible and thereby draw attention to their products. In my opinion, this is a huge marketing mistake. These videos will draw a lot of attention and get a lot of nods of approval but in the end will not increase sales of their products as much as an ad NOT showing the before images. People need a goal to strive for not someone who they look at and ”Oh well…with THAT MUCH photoshop, I can look good too!” It’s like telling people there is no Easter Bunny!

I had an agent here in LA tell one of my clients to “just shoot a selfie” for her head shots!! While I understand the agents frustration with actors bringing her head shots that don’t look like them, I also think a selfie is a horrid misrepresentation of oneself. The distortion of camera phone lenses, awful lighting, and unplanned images makes selfies fun but useless as a business tool.

So where is the magic line? When is an image “over Photoshopped”?

If you have a mole, leave in it because to will be there when you go on an audition. If you have a blemish, retouch it out.

It’s OK to soften laugh lines a bit but to remove them is a mistake. Taking the red out of your bloodshot eyes is fine because HOPEFULLY you won’t always have that, unless you live in Colorado.
If you plan on losing a little weight, then it’s OK to take some off in Photoshop but rarely do people actually go ahead and lose that weight and so you’d do better to look like your photo.

If you are taking a photo for your wall at home or for a gift, then you can Photoshop to your hearts content, but if it is for work, then less is more.

While on this topic, I should add that there is a lot of BAD Photoshop out there, so buyer beware. A photographer should either do it himself or have someone on staff who is proficient and will sit down with you to do the Photoshop Head shots in LA are going through a “natural” phase right now, which is a good thing, but beware of anyone who tells you not to do any Photoshop at all.

Remember ­ it is a GOOD thing to Photoshop your photos,

it’s a BAD thing to over­Photoshop them.

Headshot Photography Workshop 2016

Special Intensive Weekend Workshop:

Saturday, April 23 & Sunday, April 24 – 10 AM to 6 PM

Two Days for $375 (Repeat Student $150)

Individual Workshop:
Introduction $120
Basic: $150
Intermediate: $200
Seminar: “Starting up your photography business”: $120

Question? email

Trying a new “method”….

 

Shooting head shots for actors in Los Angeles for over 35 years has brought a host of experience my way.  Just when I think I’ve seen everything, some wacky actor comes up with a whole new weirdness.

I once had an actor walk over and touch my forehead with her index finger and inform me that she had to “get in touch with my third eye” before we could shoot. I was just glad she didn’t stick her finger in either of the other two eyes.

This last decade has brought a wave of “Method Actors” that feel compelled to get in touch with their deep feelings before they can smile for a commercial shot. Any photo seems to come with a period of time where they stare at the floor and dig up piles of past crap so they can emote.

While I think this is a big fat waste of time and energy, I nevertheless, just hang out by my camera waiting for them to make their magic so I can take a photo.

Here’s a video of one such actor. He’s kind of new at this, but I think he has talent. He seemed to lose it at the very last second though and took it out on his cell phone.