Depth of Focus

About …   Depth of Focus

One thing we ALL hear when chatting with friends is,”Look at this – this is a great shot!” Inevitably, it is a cell phone photo of a friend of theirs and is a record of some sort of special moment. When people show me images on their cell phones and say,”Isn’t this great!”, I understand and acknowledge how special the photo is to them. However, if it is someone who is making the same statement about an image they’ve been hired to shoot and ask my opinion…the answer might be different.

Camera phones photos are now an integral part of our every day life. While the cameras in cell phones are good for many things, they are not currently capable of taking high quality and high resolution images. They also lack depth of focus control which is an important aspect of professional photographs. There are physical limitations to lens and chip size that make cell phones unable to compete with high end digital cameras with interchangeable lenses.

The most common use of a cell phone camera is, of course, selfies. No matter where we go, there are people taking selfies in front of this or that, selfies with a friend, or selfies of a new hat or new makeup. Every night out on the town adds more camera phone images and records of fun or embarrassing moments. The thing that people don’t notice or care about is how distorted, color incorrect, and low resolution these images are. This is because they are more interested in the “feeling” and memory of those moments rather than the technical issues. In addition, the images are mostly shared on social media and rarely made into prints and even if an image does go to print, the sizes are usually small.

The market for professional photography has been drastically reduced because cell phone photos are often deemed “good enough” and in some cases this is true, but there are instances where only a professional photo will be acceptable.
If someone buys you flowers and you take a photo of the beautiful bouquet, that’s “good enough”, but if you are a florist and need a shot of an arrangement you have created, a professional photo should be taken. Here is an example of the same photo taken with a professional camera and a cell phone.
It is obvious the flower is in focus in both shots but the background is drastically different. The “depth of focus” (sometimes referred to as “depth of field”) control is much greater with the pro camera and lens. Even though the cell phone was an iPhone X set on “portrait” mode to try and get the DOF reduced, there is still way too much in focus to make the shot pleasing.

 

Actors Headshot los angeles Actors Headshot los angeles Actors Headshot los angeles Actors Headshot los angeles

A side note at this juncture… if you are reading this and think the cell phone photo of the flower is better “because it’s sharper”, please stop reading and delete me from your notifications because I might also write a blog about “Bud” being sewer water NOT beer.

Depth of focus control becomes VERY important when people are involved. How many times have you seen an otherwise wonderful image messed up because of some yahoo in the background? A basic rule of photography is to isolate your subject to control where the viewer looks. When someone looks at a photograph you have taken, it is important that they are drawn to what you thought was important in the photo NOT what is in the background. If nothing else, photos with everything in focus are simply too “busy” and cluttered.
Hiring a professional photographer to shoot a family portrait is getting more rare because people see cell phone photos as “good enough” and “more real” and certainly less expensive. While these points are well taken, it should be noted that there are tradeoffs. Lens distortion, depth of focus, and often color issues are addressed only by professional equipment and in the hands of a professional photographer.

Here is an example of a shot of my son taken in the exact same spot in our yard. Taken with a cell phone, everything is in focus and the shot is cluttered and busy. Taken with my professional camera and lens, I can control the depth of focus and isolate him against a soft pretty focus controlled background. The difference in the two images is more than just depth of focus, there is a more intimate “feel” to the pro lens shot because the photo is ALL about him. There are no trees, flags, grass, gates, or sidewalks to distract from our view of just him. In addition, in the cell photo, his head is disproportionally large due to the distortion from the lens. This is a result of the lens being a “wide angle” instead of a “telephoto” lens a professional photographer would use. I’ll address this issue in another blog but for now, Depth of Focus, is the challenge.

Actors Headshot los angeles

Actors Headshot los angeles

Situations where DOF control becomes a critical part of image making are: head shots for actors, models, business people, celebrities, or family portraits. Any photo that will be used for publication, advertising, promotion, or ANY publicly viewed image. For these types of images, it is critical that ALL the attention goes to the subject. Backgrounds should never be distracting or take away from the image. Cell phone cameras simply cannot, because of lens and chip size limitations, compete with pro equipment.
Too often corporate heads will say,”Well..Jimmy in the mailroom has a camera. He can shoot our product. That’s good enough!” Corporate heads are trying to save money, understandably, but even though I can make a killer quiche, I won’t call myself a chef. A good chef has the tools and the talent that I do not.

When to hire a professional photographer is up for debate but the question of results is obvious. Being able to control Depth of Focus will make better images, sell more product, look more professional, and guarantee better results.

Japan 2017 – Day 1 – March 18

Michael Helms Los Angeles Headshot Photographer Journey to Japan – Day 1

Boarding a plane bound for Japan is an exercise in mixed feelings. We’re SO HAPPY to be going but dreading being trapped in an aluminum tube at 37 thousand feet for 12 hours.
I’m jealous of those who can sleep on planes…I can’t. So, I have found the best way for me to pass time is to catch up on all the movies I haven’t seen. “LA LA LAND” was first on my list. What a horrid film…slow paced, predictable, schmaltzy, and I’m sorry but Emma and Ryan are neither singers or dancers. Watch Ginger Rogers and Fred Astaire…listen to Julie Andrews or Judy Garland sing.
On the other hand, I LOVED “Moonlight” and feel it deserved to win. Well shot, directed, acted, and a wonderful story that walked a tough line concerning a sensitive and current topic. Sadly, the people who SHOULD see it, probably won’t.
I saw “Doctor Strange” – liked it a lot and recommend it. I’d watch Benedict Cumberbatch read a phone book.

We arrived at Narita Airport and on our way to pick up our baggage, Squi was running through the airport, tripped, fell, smacked his face on the floor and got a black eye. Great….we hoped this wasn’t a sign of things to come.

MIchael Helms Los Angeles Headshot Photographer
We got to AirBnB rented house in Shinjuku around 3 in the afternoon and Kaz had to leave soon after to go teach an acting class. Squi and I decided to have a treasure hunt, so we went out on our own and wondered around. The “treasure hunt” consisted of taking photos as we went so we could find our way back home. I think it worked better than bread crumbs. But ultimately we were too tired to walk very far, so we found our way back home, put our feet up, and watched Sumo Wrestling!
Los Angeles Actors Headshot Photographer
John Jack, the head honcho at The Stella Adler Acting Academy arrived that evening.
So when Kaz got back, we started our first food search.Los Angeles Headshot Photographer
We knew of a teeny hole in the wall restaurant in an alley in Shinjuku called Shinagawa Tei. The restaurant has room for about 8-10 guests and is owned and operated by a little old lady and her son. It’s a VERY popular local eatery and is practically impossible to get reservations but the last time we were there we just walked in at the right time and got seats! So we thought we’d go by and just say hello. As fate would have it, we got there just as they were opening and we got to eat there again!!! When we walked in the little old lady looked at Kaz and said, “OH….Matamura-san!!” We were stunned that she remembered us but so happy to get to have more of their wonderful food.Los Angeles Actors Headshot Photographer

We love Japan and I’m pretty sure living there part time will be in our future. Also – MANY of these blogs will mention food! Food you can’t get in the US, food that you can get in the US but is WAAAYYY better over there, and food served in a way (both in terms of service and presentation) that you can’t find here in the US.Los Angeles Actors Headshot Photographer Los Angeles Headshot Photographer

After our meal, we wondered around a bit in Shinjuku before we met up with Rick, an instructor  from Stella Adler, who was also coming in to join the teaching forces.
We’d been up for a LONG time, so after a snack and too many Asahi beers, we crashed  at our house, happy, full, and excited about the days to come!

Year 2017

HAPPY NEW YEAR

So, we have said goodbye to 2016. One thing that is always good this time of year is that we all get to start 2017 with a clean slate and good intentions. New Year’s resolutions aside, it is a good time to see what was positive in 2016 and continue doing whatever it was with renewed vigor. We get to fix what was broken and keep what worked.

In the business of being an actor, it’s easy to let things slide because you are your own boss. Not too many agents in LA are going to call you up and ask how you are, how was your day, and how they can help get you more work.

Most agents these days just want to cut contracts. As harsh as that may sounds, when you look at it from their perspective, they have a huge pool of people who want to be actors and very little time to develop and guide individuals. YOU have to get the work and then they will do the contract deal. That means you have to make sure they have all the tools they need at their disposal. Your resume, reel, and head shot must all be up to date and available.

In less than a year, if you are going out much at all, most casting directors will have already looked at your head shot. Whether you got an audition or not, your photo has been out there and, hopefully, circulating. With that thought in mind, your head shot can become “stale”. If you are being submitted (or are submitting yourself) but are not getting any auditions, then you need a new head shot. If you have five head shots and only two of them are getting you called in, then replace the other 3 with something new.

Point is, your head shot is your first point of attack, your first calling card, and your first opportunity to get in the door. To let that slide is to undermine your career from the get go.

I look forward to seeing you all in 2017. Start the New Year with a fresh shot and listen for opportunity to knock!

HAPPY NEW YEAR!

Michael Helms

 

Happy New Year -

Happy New Year –

Photography Workshop – Weekend intensive – July 2016

Actors Headshots Photography

This gallery contains 2 photos.

RESERVE YOUR SPOT – EventBrite   STUDIO vs. NATURAL LIGHT SPECIAL WEEKEND SEMINAR: Saturday 10 AM to 4 PM Sunday, 10 AM to 5 PM $375.00 – Two Day Intensive Saturday – Arts of Photography Basic of Photography – Natural Light vs. Studio Light How to work with Lighting equipments Glamour – Old Hollywood Look […]

Tokyo – Fri. March 18 & March 19 – 2016

I will be shooting headshots and portraits for Japanese public figures and actors!

We still have several spots available.

Please contact Sayoko or myself directly.

 

headshot photography in Japan

headshot photography in Japan

PDF:

Tokyo Shoot 2016

 

 

Super Special Thanks to Hi Tech Dad!

Michael Sheehan of HIGH TECH DAD brought my website from the WHITE SCREEN OF DEATH.

I would have to re-built my damn website if it was not for him.

So, here’s my endorsement:   If you are a WordPress user, and get that infamous white screen of death, do not hesitate – Just CONTACT MICHAEL!

Also, his website is so informative.   www.hightechdad.com

 

This year’s Labor Day weekend ….

Nope.  I didn’t got to the Burning Man.

I had four days off !   I laid one more row of cement block on my front retaining wall (125 feet long!) then stucco on the whole thing, then brick cap on top.
Too old for this shit!

I love doing projects like this.

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Los_Angeles_Photographer_Michael_Helms

Shooting engagement in Nashville!

We are going to see my parents in Nashville in September to cerebrate Squi’s 3rd birthday!

So, while we are there – I thought I should shoot some artists!   Contact Kaz via email to make an appt!

Headshot-photographer-Michael-helms

Kinbaku Photography

On April 11th I am proud to announce, I will be hosting a Kinbaku Workshop with legendary Master K.

Author or several books on this fascinating erotic art form, Master K is well known and respected all over the world.

We have two models, one of which is adorable porn star, Marica Hase. We are keeping this class SMALL, so it is imperative that you sign up right away if you are interested.

I will be teaching the lighting and photography.

This is a one day class held at my studio.

$750 = and you will own all the images, of course

Contact me at:

Michael@MichaelHelms.com

Kinbaku Photography Marika Hase

Marika Hase by Kinbakushi Marcus Ranum

 

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Kinbaku photography workshop

9 am
Michael=about photography

9:30 am
Marika Hase (Kimono) / Photo shoot ops

10:30 am
Master K … about Kinbaku – Basic History and art

11 to 12
Photo ops / As Master K & Marika

12 to 1 Q and A …. Master K, Marika and Michael
Brown bag Lunch break.

1 pm to 3 pm .. Photo shoot
– Photographers are split into two groups Group A and Group B. – 30 min each)

1 to 2 pm
Master K with MODEL 1
(1 to 1:30. Group a & 1:30 to 2 pm. Group B)
Kinbakushi 2 with MODEL 2
(1 to 1:30 Group B & 1:30 to 2 Group A)

2 pm to 3 pm
Master K with Model 2
(2 to 2:30 – Group B & 2:30 to 3 pm Group A)
Kinbakushi 2 with Model 1
(2 to 2:30 – Group A & 2:30 to 3 pm Group B)

3:15 to 5 pm
Photo Critique and photoshop with Michael Helms

Instagram!

Here’s Link to my instagram page:

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