Depth of Focus

About …   Depth of Focus

One thing we ALL hear when chatting with friends is,”Look at this – this is a great shot!” Inevitably, it is a cell phone photo of a friend of theirs and is a record of some sort of special moment. When people show me images on their cell phones and say,”Isn’t this great!”, I understand and acknowledge how special the photo is to them. However, if it is someone who is making the same statement about an image they’ve been hired to shoot and ask my opinion…the answer might be different.

Camera phones photos are now an integral part of our every day life. While the cameras in cell phones are good for many things, they are not currently capable of taking high quality and high resolution images. They also lack depth of focus control which is an important aspect of professional photographs. There are physical limitations to lens and chip size that make cell phones unable to compete with high end digital cameras with interchangeable lenses.

The most common use of a cell phone camera is, of course, selfies. No matter where we go, there are people taking selfies in front of this or that, selfies with a friend, or selfies of a new hat or new makeup. Every night out on the town adds more camera phone images and records of fun or embarrassing moments. The thing that people don’t notice or care about is how distorted, color incorrect, and low resolution these images are. This is because they are more interested in the “feeling” and memory of those moments rather than the technical issues. In addition, the images are mostly shared on social media and rarely made into prints and even if an image does go to print, the sizes are usually small.

The market for professional photography has been drastically reduced because cell phone photos are often deemed “good enough” and in some cases this is true, but there are instances where only a professional photo will be acceptable.
If someone buys you flowers and you take a photo of the beautiful bouquet, that’s “good enough”, but if you are a florist and need a shot of an arrangement you have created, a professional photo should be taken. Here is an example of the same photo taken with a professional camera and a cell phone.
It is obvious the flower is in focus in both shots but the background is drastically different. The “depth of focus” (sometimes referred to as “depth of field”) control is much greater with the pro camera and lens. Even though the cell phone was an iPhone X set on “portrait” mode to try and get the DOF reduced, there is still way too much in focus to make the shot pleasing.

 

Actors Headshot los angeles Actors Headshot los angeles Actors Headshot los angeles Actors Headshot los angeles

A side note at this juncture… if you are reading this and think the cell phone photo of the flower is better “because it’s sharper”, please stop reading and delete me from your notifications because I might also write a blog about “Bud” being sewer water NOT beer.

Depth of focus control becomes VERY important when people are involved. How many times have you seen an otherwise wonderful image messed up because of some yahoo in the background? A basic rule of photography is to isolate your subject to control where the viewer looks. When someone looks at a photograph you have taken, it is important that they are drawn to what you thought was important in the photo NOT what is in the background. If nothing else, photos with everything in focus are simply too “busy” and cluttered.
Hiring a professional photographer to shoot a family portrait is getting more rare because people see cell phone photos as “good enough” and “more real” and certainly less expensive. While these points are well taken, it should be noted that there are tradeoffs. Lens distortion, depth of focus, and often color issues are addressed only by professional equipment and in the hands of a professional photographer.

Here is an example of a shot of my son taken in the exact same spot in our yard. Taken with a cell phone, everything is in focus and the shot is cluttered and busy. Taken with my professional camera and lens, I can control the depth of focus and isolate him against a soft pretty focus controlled background. The difference in the two images is more than just depth of focus, there is a more intimate “feel” to the pro lens shot because the photo is ALL about him. There are no trees, flags, grass, gates, or sidewalks to distract from our view of just him. In addition, in the cell photo, his head is disproportionally large due to the distortion from the lens. This is a result of the lens being a “wide angle” instead of a “telephoto” lens a professional photographer would use. I’ll address this issue in another blog but for now, Depth of Focus, is the challenge.

Actors Headshot los angeles

Actors Headshot los angeles

Situations where DOF control becomes a critical part of image making are: head shots for actors, models, business people, celebrities, or family portraits. Any photo that will be used for publication, advertising, promotion, or ANY publicly viewed image. For these types of images, it is critical that ALL the attention goes to the subject. Backgrounds should never be distracting or take away from the image. Cell phone cameras simply cannot, because of lens and chip size limitations, compete with pro equipment.
Too often corporate heads will say,”Well..Jimmy in the mailroom has a camera. He can shoot our product. That’s good enough!” Corporate heads are trying to save money, understandably, but even though I can make a killer quiche, I won’t call myself a chef. A good chef has the tools and the talent that I do not.

When to hire a professional photographer is up for debate but the question of results is obvious. Being able to control Depth of Focus will make better images, sell more product, look more professional, and guarantee better results.

Japan 2017 – Day 1 – March 18

Michael Helms Los Angeles Headshot Photographer Journey to Japan – Day 1

Boarding a plane bound for Japan is an exercise in mixed feelings. We’re SO HAPPY to be going but dreading being trapped in an aluminum tube at 37 thousand feet for 12 hours.
I’m jealous of those who can sleep on planes…I can’t. So, I have found the best way for me to pass time is to catch up on all the movies I haven’t seen. “LA LA LAND” was first on my list. What a horrid film…slow paced, predictable, schmaltzy, and I’m sorry but Emma and Ryan are neither singers or dancers. Watch Ginger Rogers and Fred Astaire…listen to Julie Andrews or Judy Garland sing.
On the other hand, I LOVED “Moonlight” and feel it deserved to win. Well shot, directed, acted, and a wonderful story that walked a tough line concerning a sensitive and current topic. Sadly, the people who SHOULD see it, probably won’t.
I saw “Doctor Strange” – liked it a lot and recommend it. I’d watch Benedict Cumberbatch read a phone book.

We arrived at Narita Airport and on our way to pick up our baggage, Squi was running through the airport, tripped, fell, smacked his face on the floor and got a black eye. Great….we hoped this wasn’t a sign of things to come.

MIchael Helms Los Angeles Headshot Photographer
We got to AirBnB rented house in Shinjuku around 3 in the afternoon and Kaz had to leave soon after to go teach an acting class. Squi and I decided to have a treasure hunt, so we went out on our own and wondered around. The “treasure hunt” consisted of taking photos as we went so we could find our way back home. I think it worked better than bread crumbs. But ultimately we were too tired to walk very far, so we found our way back home, put our feet up, and watched Sumo Wrestling!
Los Angeles Actors Headshot Photographer
John Jack, the head honcho at The Stella Adler Acting Academy arrived that evening.
So when Kaz got back, we started our first food search.Los Angeles Headshot Photographer
We knew of a teeny hole in the wall restaurant in an alley in Shinjuku called Shinagawa Tei. The restaurant has room for about 8-10 guests and is owned and operated by a little old lady and her son. It’s a VERY popular local eatery and is practically impossible to get reservations but the last time we were there we just walked in at the right time and got seats! So we thought we’d go by and just say hello. As fate would have it, we got there just as they were opening and we got to eat there again!!! When we walked in the little old lady looked at Kaz and said, “OH….Matamura-san!!” We were stunned that she remembered us but so happy to get to have more of their wonderful food.Los Angeles Actors Headshot Photographer

We love Japan and I’m pretty sure living there part time will be in our future. Also – MANY of these blogs will mention food! Food you can’t get in the US, food that you can get in the US but is WAAAYYY better over there, and food served in a way (both in terms of service and presentation) that you can’t find here in the US.Los Angeles Actors Headshot Photographer Los Angeles Headshot Photographer

After our meal, we wondered around a bit in Shinjuku before we met up with Rick, an instructor  from Stella Adler, who was also coming in to join the teaching forces.
We’d been up for a LONG time, so after a snack and too many Asahi beers, we crashed  at our house, happy, full, and excited about the days to come!

Headshot Photography Workshop 2016

Special Intensive Weekend Workshop:

Saturday, April 23 & Sunday, April 24 – 10 AM to 6 PM

Two Days for $375 (Repeat Student $150)

Individual Workshop:
Introduction $120
Basic: $150
Intermediate: $200
Seminar: “Starting up your photography business”: $120

Question? email

Headshot Photography Workshop –

Special Intensive Weekend Workshop:

Saturday, September 14 –
Sunday, September 15 –
(9 AM to 5 PM)

Saturday, 9 AM to 12 noon – Introduction
Saturday, 1 PM to 5 PM – Basic 

Sunday, 9 AM to 12 noon – Intermediate
Sunday, 1 PM to 5 PM – “Starting up as a business” / Special Guests

Two Days for $350

Individual Workshop:
Introduction $120
Basic: $150
Intermediate: $200
Seminar: “Starting up your photography business”: $120

Question?  email

Photography Workshop – Saturday, January 26, 2013

Los Angeles actors headshot photography workshop by michael helms

For one day only – Sign Up today – CLICK HERE

 

Frequently Asked Questions:

 

1) What are the hours of the workshop?

The hours of the workshop will be 9:00 A.M Till Sunset Saturday January 26, 2013 

2) What kind of photography experience should I have before attending?

Intermediate level photographers with a basic understanding of Adobe Lightroom and brief knowledge of Adobe Photoshop

3) What equipment do i need for the workshop?

A digital SLR, wide to medium focal range lenses, shoe mount flash unit i.e Nikon SB-24-Sb-900 or Canon 580ex speedlight, laptop (preferable) with Adobe Lightroom installed, and a willingness to change the way you shoot forever.

4) What clothing should i wear?

Casual

5) Who will benefit most from this workshop?

Persons interested in improving their off camera lighting, composition, and post production skills for Wedding and Portrait Photography

6) How much does the workshop cost?

The Workshop is 475.00 U.S.D, a 150.00 non-refundable deposit will be collected at the time of reserving your spot. The day of the Workshop the rest will be due the morning of.

 7) Where is the Workshop being held?

Michael Helms Photography Studio 10349 Siesta Drive  Shadow Hills, CA 91040

8) How many persons will be attending the Workshop?

We are taking up to 20 students

9) What is planned in the Workshop curriculum?