(updated 4 PM / Feb, 24, 2015)
I will be shooting in Las Vegas in March again! Get ready for the summer fashion/bathing suit bookings! Please email me directly to book.
Available spots are –
Sunday, March 1st -SOLD OUT –
Monday, March 2nd
9 AM –
3:00 PM
4:30 PM
Tuesday, March 3rd,
9:30 AM
2:00 PM
3:30 PM
Wed. March 4th
SOLD OUT
I will be back in LA on Wed. late evening!
One of the things I hear a lot these days is “I want my photo to look natural”. Yet, when I sit down in front of a computer monitor after a photo session to view their head shots, I hear ”can you fix this, and that, and that, and….”
In this age of digital manipulation, the general rule is: It is a GOOD thing to Photoshop your photos, it is a BAD thing to OVERPhotoshop your photos”
If you are in the public eye an actor, model, CEO, or celebrity you need to be aware of your image. The first thing to know is that you are not in the business of reality.
You are in a business of fantasy or at the very least idealism. No one who views your photos wants to know you had a zit the day of your photo shoot. No one is interested in seeing your blobby mascara, nose hairs hanging out, or blood shot eyes, even though that’s the “way it really looked” or the way it was “naturally”. When we view photos of George Clooney, we want him to look as perfect as our fantasies imagine him. We want Angelina Jolie to have flawless skin, perfect hair, and a trim lovely figure.
Dove has been running a campaign the last few years showing makeovers and accentuating all the stuff done in Photoshop afterwards. The idea is to show the “real” faces of models and therefore make them more “human” and accessible and thereby draw attention to their products. In my opinion, this is a huge marketing mistake. These videos will draw a lot of attention and get a lot of nods of approval but in the end will not increase sales of their products as much as an ad NOT showing the before images. People need a goal to strive for not someone who they look at and ”Oh well…with THAT MUCH photoshop, I can look good too!” It’s like telling people there is no Easter Bunny!
I had an agent here in LA tell one of my clients to “just shoot a selfie” for her head shots!! While I understand the agents frustration with actors bringing her head shots that don’t look like them, I also think a selfie is a horrid misrepresentation of oneself. The distortion of camera phone lenses, awful lighting, and unplanned images makes selfies fun but useless as a business tool.
So where is the magic line? When is an image “over Photoshopped”?
If you have a mole, leave in it because to will be there when you go on an audition. If you have a blemish, retouch it out.
It’s OK to soften laugh lines a bit but to remove them is a mistake. Taking the red out of your bloodshot eyes is fine because HOPEFULLY you won’t always have that, unless you live in Colorado.
If you plan on losing a little weight, then it’s OK to take some off in Photoshop but rarely do people actually go ahead and lose that weight and so you’d do better to look like your photo.
If you are taking a photo for your wall at home or for a gift, then you can Photoshop to your hearts content, but if it is for work, then less is more.
While on this topic, I should add that there is a lot of BAD Photoshop out there, so buyer beware. A photographer should either do it himself or have someone on staff who is proficient and will sit down with you to do the Photoshop Head shots in LA are going through a “natural” phase right now, which is a good thing, but beware of anyone who tells you not to do any Photoshop at all.
Remember it is a GOOD thing to Photoshop your photos,
it’s a BAD thing to overPhotoshop them.
I’ve been a photographer for over 35 years in the Los Angeles area. I’ve been shooting head shots of actors, models, celebrities, and corporate people for all these years. There are some things that I always hear no matter who my clients are and one of those things is,”I hate having my picture taken”.
It seems such an odd thing for an actor to say but it happens at least 90 percent of the time. I usually respond by telling them that a head shot is an acting job just like any other acting job and that they are portraying characters that represent the “type” they will be called in to portray. It’s a completely ineffective response on my part but what I attempt to do is simply get the actor into a different type of mindset so the session doesn’t become so self analytical.
Last year I had a guy come to my studio who was a character type and had a good “look” for casting. But one of the things he said to me was very revealing. He said he got called in for a role as a “very very bad guy” (like a rapist or pedophile) and he said,”I can’t play that! It just isn’t ME!”
As a photographer, I thought it odd he said that because when he walked through my studio doors, my first impression was what a great character type he was and what a perfect “rapist” or “pedophile” he could portray. He was a WONDERFUL human being and a terrific Dad to his children but he had a certain “look” (read CASTING) that conflicted with his real life existence. As a result of his feelings about the “bad guy” role he had auditioned for, he felt it more appropriate that we shoot images of him where he looked more friendly. He wanted a “Dad” shot, a “business man” shot, and a “guy next door” shot. All these “looks” are indeed a good idea and he might book some of those roles but his PRIMARY market will go untapped simply because of his own personal inability to separate himself PERSONALLY from himself as This is a somewhat schizophrenic business to be in.
An actor (model, celebrity, corporate person) needs to see themselves as a product. They need to look at their photos as pictures of “him/her” and NOT as photos of “ME”. If the reason for shooting a photo is for personal reasons and it’s going to hang on a wall or be put in a frame, then, certainly there is reason to want to look good and be yourself but if it is for business use, no matter the business, then that end use becomes the driving factor in what that image should be.
For instance, the CEO of a corporate bank should not have a head shot in a baseball cap and a tank top. It may be a perfectly acceptable look for him on vacation in the Carribean, but not for his corporate offices.
The NUMBER ONE comment I hear from actors when they come through the doors of my studio is,”I just want a photo that captures ME and who I REALLY am!” As harsh and cruel as it may sound…. in this business, who cares who and what you REALLY are!?? Casting offices only look at an actor as having the right look (and talent) for a role. They may be wonderful folks but they have no interest in who an actor “really is”. You don’t have to be a Mom to play a Mom. My client didn’t have to BE a “bad guy” to play a bad guy. His inability to divest himself of his self image damages his career.
Over and over I see this played out in my studio. Girls who are rather plain who want to be sexy, girls who are sexy who want “to be taken seriously” and not do sexy roles, guys who want to be macho leads who look like nerds, and fellows like I just mentioned who could make tons of money playing “bad guys” but are at odds with their casting.
Acting is a business. My advice is to put your money where you make your money. If you are attached to your photos, you are doing a disservice to your business. Look at TV, commercials (where 75% of the money spent in LA goes!), films, and print media and see who looks like you. What are they wearing? How are they cast? Then shoot images that will get you called in to audition for roles you have a shot at booking.
All this seems so “obvious” but I am astounded at the percentage of actors who miss this basic concept. A head shot is NOT about YOU and what YOU REALLY ARE. It is about shooting images that get you called in for work you have a shot at booking. A “great photo of you” is NOT a great photo of you if you get called in and when you get there, you look around the room and everyone is prettier, older, younger, or just simply not your “type”.
It may be a great photo of you for your wall at home, but if it doesn’t generate the appropriate auditions and get your work, then it’s NOT a good photo for your career.
Headshots for actors. Three looks to start with.
Commercial / Theatrical / Character (Squi as De Niro)
There are some distinct advantages to being in this business for 40 years. One is simply experience. The other is an awareness of evolutionary changes in marketing. In other words – the way head shots have changed over the years and what is current.
One simple fact is that very few actors really understand their chosen art form is a business. Very few actors are able to look in the mirror and OBJECTIVELY figure out how to market their product because their product is themselves. For all of us, seeing ourselves objectively is difficult at best.
Also, this marketing has evolved over the years.
The internet has hugely influenced the way head shots are done nowadays. Since your image will be relatively small and on a page full of other head shots, it is important to make you photo stand out.
Remember: This is the size of your pic Casting Directors would see when they are looking at submissions:
This is Cute – but it would get “lost” in the pile:
One way to do that is wear very colorful clothing and have colorful backgrounds in your image.
Another way is to be as high profile as possible and have a Twitter account, Facebook, a personal web site, and any other social media.
My friend, Jim Beaver, is great example.
His FaceBook is filled with contents about his career and his interests. His SuperNatural fans dig his Twitter updates, too.
Another GREAT example is a great stage actor Bill Oberst Jr. (Google him!) His Website is VERY ENTERTAINING.
The internet is a wonderful thing but it also requires actors to put time into their careers more than ever.
Look at lots of other head shots. Make sure what you are about to shoot isn’t dated but is current.
Your photographer should also know what is current, how to shoot your head shot so it looks professional and marketable, and give you at least 3 “looks” to work with.
Be aware… all things evolve… even head shots!
I suppose it’s a good thing that after 37 years of shooting head shots for actors, that I still enjoy it. I attribute this to the fact that I find people endlessly fascinating and what better place to be a head shot photographer than in Los Angeles! I get all sorts of fascinating characters through my photo studio and I sometimes think it should be a sit com.
In the past, an actor would get a recommendation from his Agent or manager for what head shot photographer to go visit. Usually an actor would meet with four or five photographers, look at their portfolios, check out the studio, and choose who they felt would be the best for the images they needed. This decision making process was good for everyone, actor and photographer alike although it required the photographer to sit through hours of seemingly endless and unnecessary recitations of resumes.
While I understand the concept that an actor wants the photographer to capture a certain essence, it has little bearing on whether or not that actor will actually book a job. The reason for this is that very very few actors see their casting. Every actor has an idea of the roles they want to play in film, commercials, or on stage but very few actors understand that it is a business and they will be cast according to how they look to a casting office.
An example of this would be a girl who came to my studio for head shots and she handed me photos of fashion models and proclaimed,”I want photos like these!”. What amused me was that MY idea of her casting was that she would be prefect in a role as a midwest farmers wife…perhaps pulling a plow. Suffice it to say she was NOT in shape for Victoria’s Secret.
Agents in Los Angeles have lists of head shot photographers that they recommend and I am fortunate to be on almost all of those lists. So, it presented me with a challenge, because, knowing her agent, if I shot images the agent liked, she would be unhappy but if I shot images she liked, the agent would be displeased.
I suggested to her that she show her agent what wonderful versatility she had as an actress. I told her she should shoot some rather plain images, then we could add more makeup and fluff her hair for more sexy images. She reluctantly agreed.
A week went by and I got a call from her and I winced as I asked her how she liked her photos. This was in the days of film so it would take a few days to process. She told me she was really happy with “some of them but some of the others she liked less”. I asked her if she had shown them to her agent and she frustratingly replied,”YES…and you won’t believe what he said to me. He said he liked the plain ones and could use those but the pretty shots he didn’t like. He said to me, these are pretty but I can’t use them because you aren’t pretty!”
“Yikes!” I responded,”What did you do!?”
“Well, I’m looking for another agent!” she growled.
I have had actors in my studio who did their best to imitate Robert DeNiro, sexy women who wanted to play “smart” roles, nerdy looking guys who wanted to be James Bond, and the aforementioned chubette who wanted to be Cindy Crawford.
When an actor walks through my doors, I know in the first minute how I am going to light him. I already know what roles he will get. I already know, after years doing head shots in Los Angeles, how an actor will be marketed. But it is not my job to make those decisions but rather to provide and actor with what type of photos HE/SHE wants. I make suggestions, I talk it over with all my clients, I can tell them what wardrobe I think will work, and I can let each individual know what the trends in head shots are current, but ultimately every actor needs to do their homework and see this as a business and realize they are a product and how best to market that product.
The idea is to have a head shot that gets you called in to a casting that, when you arrive and look around the casting office, you see actors who are in the same category. You don’t want to look around and see people who are 40 years older.
If an actor looks at TV, film, and commercials and identifies characters that “look like” him, he will know how to dress for a photo shoot. Basically an actor needs a smiling head shot for commercials and a more serious shot for theatrical purposes. Nothing more.
Casting offices generally know what type they are going to choose for any given role, so if you got a call, you have a shot!
The rest is up to you!
Bryan Batt
I have been a professional photographer in Los Angeles for 35 years. The thing I hear most when actors come to my studio is, “I just want a photo that really captures ME and who I really am!”
While this may sound good, it tells me there is a very basic lack of understanding of how this business works and how to carry out a strong marketing strategy. As harsh as it may sound, not ONE casting director in all of LA concerns themselves with who you really are. It is their job to CAST you not analyze you.
If you are a 30 year old female, you will get “Mom” roles, business women, nurses, a wife, or a host of other characters seen on TV and in movies. It doesn’t matter if you REALLY ARE a Mom or not…that’s why it’s called ACTING. If you are a curvy girl, don’t shoot sexy photos because you’ll get called in for an audition and find yourself in a room full of skinny models. Conversely, if you are a lovely young woman and you have a nice figure, understand that this is a business driven by money. What sells on TV and in movies is sex and violence. So make sure you have a sexy head shot.
Danny DeVito is a sexy leading man to Rhea Perlman because she is married to him, but it is not his casting. While “type casting” may not be right or fair, it is what it is. Get used to it.
Research, research, research to find the right photographer. The guy in your acting class who has a camera and will do your headshots for free or for fifty bucks is NOT a working professional. An actor who does head shots on the side is NOT a working professional photographer and if he has an audition the day of your shoot – you will be out of luck.
If you want this to be your career – invest in it. Go to a professional photographer. Look for someone with a studio (who can shoot natural light OR studio light), who has been in business for 10 years or more, who has a GOOD web site.
GO SEE THEM! Don’t go to someone who shoots out of their apartment. Simply put, go to a pro. Beware of Agents or managers who INSIST you go to their photographer. An Agent should give you a list of known working pro photographers that you can choose from.Get plenty of sleep the night before your shoot. Don’t get involved in an argument with your significant other.
Don’t bring “a friend” to your photo shoot. Don’t bring your family or Mother or your dog. This is YOUR day. Most of all… ENJOY your photo shoot. I often hear actors say how much they “hate having their photos taken”. This is your career…learn to love it. ALL of it. Taking headshots is an acting job just like any other acting job.
If someone tries to tell you “film is better than digital”, just walk away. You should expect to shoot, look at the photos on a computer, get them retouched, and have them burned onto a CD, and walk out with them done all in the same day.
Basically, it is a business. If you treat your acting career like a business, you will have a much greater chance of success!
For LA Actors-
Actors Headshot special!
How many actors can you name in this photo?
Holiday Special by Michael-Helms-photography - LA Actors' headshot photographer
I have been a professional photographer in the Los Angeles are for over 37 years. When I first started shooting head shots for actors, everything was shot in Black and White and in a studio. This required a photographer to invest in expensive lighting equipment, backdrops, stands, reflectors, and a host of other items that were needed to produce professional quality images.
Here we are all these years alter and images are captured digitally and in color. There is no more film processing or waiting to see if the images are acceptable because we can look at an on camera monitor and make adjustments if need be.
However, in the studio, the same lighting techniques still hold true. Key lights, fill lights, background lights, hair lights, and whatever accent lights one chooses are still necessary to work in the studio effectively.
This coming November 25th from 3-8PM, I am hosting a one day intensive studio lighting workshop. We’ll discuss the choices a photographer must make regarding hair and makeup, lighting, cameras, lenses, and reflectors. We’ll also go over the basic tools in Photoshop.
Workshop class will be limited to a small size so everyone can get personal attention.
I look forward to having you in my studio to learn about the basic lighting techniques for photography.
actors headshot in the studio - Photo by michael helms
