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Today’s Odd Journey

I flew hang gliders for about 34 years but officially retired about 6 years ago. It was a sad day and I miss flying terribly. Today I drove over to the place where all the hang gliders land.

Soon as we exchanged greetings my friend Joe offered,”Hey wanna fly this glider?” and I said “Nah, I don’t have a harness” then another pilot/friend, Fred volunteered,”I’ve got a harness”. Me,”I don’t have a helmet”. Fred,”I have a helmet, too!”

Next thing I knew, I was headed up the mountain with a truck load of fellow flyers. We quickly set up our flying machines then ran off the mountain into the beautiful sky. I visited places a few miles away that I hadn’t seen in a long time and watched as a Red Tailed Hawk circled in an updraft hundreds of feet below me.

So many memories from hundreds of hours floating thousands of feet above the Earth were flooding my brain.

One particular memory was  meeting my dear friend, Wayne Yentis.  I met Wayne 25 years ago in the hang gliding landing zone (LZ). He was a tall lanky man with a twinkle in his eye and was most probably the brightest individual I have ever met. Truly a renaissance man… he was an artist, a photographer, an electrical engineer, a musician, a computer genius, an inventor (of  the Clavitar) and a host of other things. He knew more about more than anyone I have ever known. Wayne had a recording studio in his house and was constantly sending me files of music he had written, played, and produced. Beautiful music.

One particular day I was in his studio and we were having a beer…or two…or many… and I got this goofy idea to take Karaoke music and substitute hang gliding lyrics. It was utterly silly stuff that made no sense to anyone other than another hang glider pilot but in our compromised condition, it seemed a marvelous plan.

I said to Wayne “How about “I got VG?” as I sang the tune of “I Got You Babe” by Sonny and Cher.  He beer giggled.

For non-hanglider pilots, VG stands for “Variable Geometry” and refers to a string a hang glider pilot can pull that changes the shape of the wing in flight.

Then I started singing “On the Road Again” just like Willie Nelson, except I sang “In the Air Again.”

More beer giggles as Wayne recorded and mixed it.

The following week, I played one of our recordings for a fellow pilot who unwittingly believed we were serious and asked for a copy of it! Nothing feeds a gag like having an audience so I drove back to Wayne’s house with more beer, more Karaoke, and more silly lyrics. We recorded 15 songs, 12 of which made our cut onto the “Pelican Tunes” CD. When word got out, the local pilots bought them like hotcakes, then the Editor of Hang Gliding Magazine somehow got his paws on a CD and gave it a rave review in the international magazine! We were amused that pilots enjoyed the absurdity and got the jokes. Orders started coming in and we sold this CD all over the world.  That was over 7 years ago.

Today after about an hour of flight, I touched down and chatted with the guys in the LZ, when one of them mentioned “Pelican Tunes” had been used in a video of the European Hang Gliding Championships. I was shocked to say the least. SO…I did what any irresponsible gag writer would do, I Googled it…and wow….there it was…

I  seriously considered doing “Pelican Tunes 2” but Wayne Yentis passed away this Wednesday January 23rd, and with the passing of my partner in crime, my motivation is gone. The lyrics in my desk drawer will have to collect dust as the ink fades.

But have a beer and enjoy our goofy time together on YouTube.

Here’s to Wayne.

Photography Workshop – Saturday, January 26, 2013

Los Angeles actors headshot photography workshop by michael helms

For one day only – Sign Up today – CLICK HERE

 

Frequently Asked Questions:

 

1) What are the hours of the workshop?

The hours of the workshop will be 9:00 A.M Till Sunset Saturday January 26, 2013 

2) What kind of photography experience should I have before attending?

Intermediate level photographers with a basic understanding of Adobe Lightroom and brief knowledge of Adobe Photoshop

3) What equipment do i need for the workshop?

A digital SLR, wide to medium focal range lenses, shoe mount flash unit i.e Nikon SB-24-Sb-900 or Canon 580ex speedlight, laptop (preferable) with Adobe Lightroom installed, and a willingness to change the way you shoot forever.

4) What clothing should i wear?

Casual

5) Who will benefit most from this workshop?

Persons interested in improving their off camera lighting, composition, and post production skills for Wedding and Portrait Photography

6) How much does the workshop cost?

The Workshop is 475.00 U.S.D, a 150.00 non-refundable deposit will be collected at the time of reserving your spot. The day of the Workshop the rest will be due the morning of.

 7) Where is the Workshop being held?

Michael Helms Photography Studio 10349 Siesta Drive  Shadow Hills, CA 91040

8) How many persons will be attending the Workshop?

We are taking up to 20 students

9) What is planned in the Workshop curriculum?

Repost – Japan Trip 2011 – Minamisanriku

Michael Helms Photography Los Angeles Head Shot Photographer A little more on Minamisanriku before I move on. It is impossible to describe what I saw there. Standing in the middle of such mass destruction is overwhelming to the point you just go numb. More than anything, what I felt was confusion. My mind could not comprehend houses in this place, I couldn’t hear children playing, smell food cooking, or touch the texture of a building… it was all scraped clean down to nothing but concrete slabs.
We had hired a cab driver to take us around. It felt invasive so we asked the cabbie if it was OK. Not only was he OK with me taking photos, he knew all the best spots because he had shuffled many people from the press to various locations. He told us that his Father in law was in the hospital when the earthquake hit, so the nurses took him up to the third floor where they thought they’d be safe. The tsunami took them all.
Michael Helms Photography Los Angeles Head Shot Photographer As we drove into the center of where the town used to be, I just got out and started walking. My gf couldn’t bring herself to even get out of the cab, she was completely heartbroken. This is her home country. I walked through meaningless piles of debris…pipes, shattered wood, chairs, tables, blankets, roof tiles… everything that constitutes a a deconstructed home. They have pushed out roads through the debris and made piles 50 feet high and half a mile long. Pile after pile. A few buildings still stand but are completely gutted and stand soulless like skeletons on a movie set.
Michael Helms Photography Los Angeles Head Shot Photographer Because the scale of things was so massive, I was a bit uncomfortable for not having a stronger emotional reaction, until I saw a little girl’s shoe. I lost it. I could hear her laughter, see her smiling little face, and could not bear to think what her final moments might have been like. I read once about a photo journalist who was covering the starvation in Africa, when asked how he dealt with the horror of what he was seeing, he said,”I am doing all I can to help. Maybe my photos will make a difference, but every now and then I just have to put my camera down and weep!” So it was for me, I shot til I couldn’t see through the lens, then I’d take a small break and just sit and look. I still can’t get it through my head.
Michael Helms Los Angeles Actors Headshot PhotographyThe day of the destruction, our cab driver had dropped off a fare and was headed back into town when he looked up and saw the tsunami coming right at him. He slammed it into reverse and backed up as fast as he dared. He got away and drove over a hill. There were cars everywhere from people evacuating, so he just left his car where it was and started running back to town. He knew of a hiking trail through the woods, so he hiked all night, and when he broke through the forest the next morning, all he had known was gone. He couldn’t find his house, his neighbors, or his loved ones. His family, with only the exception of his Father in law, had escaped but it still took him two days to find them.
Some people had raced to the top of a hill where there was an old folks home miles from the ocean shoreline. They thought they were safe but tsunami took them all.
As I walked around that shell of a building, there were gurneys and wheelchairs twisted into death sculptures. A soccer ball with a kids name written on it sat on a window sill, carried up from the town below. Inside there were big piles of debris. One thing that caught my eye was a paper with hand prints on it. It was the kind a kid makes when they dip their hand in paint and then make a print on a piece of paper, then sign it as a gift to an elder. I had visions of an old lady cherishing the hand print of her grand daughter until the ocean came for her. Time to set the camera down again.

Our driver took us back down closer to the water where a new fishery building has already been erected. It’s a huge structure right in the midst of all this destruction. There was a salmon run going on during the time we were there and that is a large part of what used to be Minamisanriku’s livelihood, so there were the fishermen, back to work, doing what they have done for years and years. I watched as Salmon came en mass up the river to spawn and die. I’ve seen lots of Salmon runs in the Pacific Northwest but this was different because it was here, in this place, in the river than runs through the destruction. Dead Salmon littered the river banks and took on a whole new and deeper metaphorical meaning. Perhaps it is as simple as a “cycle of life” vision but somehow it all goes mad when mankind gets involved.
The town will be rebuilt but this time up on the surrounding hills while only a few boats in the harbor and a few buildings that HAVE to be near it, will venture there again. Some of the fish farms in the bay have been reconstructed and I saw fishermen motoring here and there in what must be numb routine.
As I stood up on a boat that had been torn in half, I shot photos of the fishermen going about their duties. I failed to look where I was going and stepped off the boat onto a nail, and drove it through my shoe. The nail stabbed through the rubber of my tennis shoe and luckily went right between my toes without even a scratch. I climbed the rest of the way down, looked at it, stepped on the back side of the board the nail was in and pried my foot loose. I shrugged,”Whatever”… and kept shooting. I honestly believe had it driven through the dead center of my foot I might have had the same reaction. It was a perspective check. After all, what is a stupid little nail wound in a place like this?

A young man we met is in charge of the first festival in Minamisanriku since the tsunami. We met with him and his business partner in the Hotel Kanyo where we stayed. As we sat in this luxurious place, amusingly named “Blue Line Tea Rounge” (yep they spelled it with an “r”), we asked uncomfortably if there was any way we could help. “Just let people know”, he said. The Japanese are unaccustomed to asking for help but give it graciously and abundantly when a need arises.
There is a custom on New Years in Japan where children are given decorated envelopes of money from relatives and friends. It’s called  “Otoshidama”. A while before we left for Japan, my gf came up with the idea to give as many envelopes as we could to the children of Minamisanriku. Her idea was to put a $5 American bill in each envelope with a paper listing all those who donated. While it isn’t a great deal of money for each child, it is the idea that someone in America is thinking about them and that those people do care, that means more. The 5  buck bill is worth more in metaphor than in reality… especially given the exchange rate. I suspect the children in Minamisanriku will keep those bills for many years.
My gf handed them over $3000. in Otoshidama envelopes. The young man and his business partner got teary eyed and literally sat and stared at us not knowing what to say or how to say it.Michael Helms Los Angeles Actors Headshot Photography
Money had come in to the area through the Red Cross and other agencies but very very little of it had been distributed even all these months later. But here in this room there was a direct gift from a few in the US to them, with no strings, no red tape, and 100% going to the children. I was happy to be part of it.

We slept that night uncomfortably comfortable with images in our heads of hope amidst devastation, peace in the middle of chaos, and people resuming their lives surrounded by shattered pieces of what it used to be.

Tomorrow we are off to Fukushima. The dead nuclear power plant is on the other side of the mountain from where we will be.
It has started to rain.

re-Post – Japan Trip 2011 Part 1 – “Off to Japan”

Nov 6, 2011, 11:44:12 PM

Los Angeles Photographer Michael HelmsWell…My girlfriend and I are off to Japan next Wednesday, the 9th. We’re pretty excited. Although we’re gonna be there for more than two weeks, I think we only have two days off. We have speaking engagements teaching engagements, and I have shooting to do. We arrive in Tokyo and then head West to Osaka and Okayama. We’re gonna speak at the Osaka Mode Institute of Beauty. Then to Okayama to visit a Sake brewery that we are trying to help bring their distributorship to the US. I’ll probably shoot some of the corporate dudes there.
Then we’re off to Nagoya to visit another institute and speak. Back to Tokyo for a second then on to Sendai. We’ll stop by our house there and take a few pix and check the harbor we loved so much. Most of it is probably destroyed but I’m gonna shoot a lot there and try to get some record of the recovery efforts taking place. After that, we head North to Akita International University. My girlfriend and I are both speaking there to students about characteristics of successful international entrepreneurs. Her topics will be “body language, image, and cultural norms in corporate structure. My topics will include image making, demographic identification, and marketing – all of course with emphasis on photography. I’ll also be shooting some actress there who is evidently well known in Japan….geeez…I don’t know.
Then we’re heading back down to Sendai and Minamisanriku, which was pretty much earthquake ground zero. 95% of the town was destroyed and 50% of the population is gone. I’m gonna try to focus on the recovery and not the devastation. If you go to Google Earth and type in Minamisanriku, it is a sad sight to see.
From there we head back to Tokyo where I’ll be teaching a head shot workshop. We head home the next day. Somewhere in there we have a day off I think.If you are in Japan, please stalk us!! :) OK….I mean let’s have some SAKE!!!!
Here’s our itenerary:[link]

Maybe I’ll even get lucky and get a shot of a cute Harajuku girl! I’ll be there too!

Actors Headshots by photographer Michael Helms

I have been blessed to be able to make a nice living as an Actors Headshot photographer for the last 30 plus years in Los Angeles.

Today I am starting a new blog. I’m a newbie to all this, so perhaps it is fitting that I start off on my daughter’s BIRTHDAY!!!! I can’t tell ya how old she is because she’d kill me. So…for her birthday I bought MYSELF and iPad! YAY…good Daddy! OK, fine….I bought her whole new computer. Got her a Apple Powerbook. She’s happy.

Other than her birthday, the only news is, I went to a photo show tonight at a gallery over on the West side. The show shall go unmentioned because it was pretty awful. Since I’ve been a photographer for over 35 years, it takes a lot to impress me. I’m NOT impressed when photographers BRAG about NOT using Photoshop. They take a peculiar high and mighty stance as if they were “purists” when, in truth, they are just bragging about what I see as a shortcoming. Photoshop is just like any other tool…a lens, a camera, a filter, and all the decisions made around those items. To proclaim,”I didn’t manipulate it…this is how it really looked!” is incorrect, naive, and snobby BS. It simply just isn’t so. Human eyes see differently than cameras. Digital or film sees differently than human eyes. A camera lens does NOT replicate the exact image a human eye sees. Most importantly of all…we are all different from each other, so when we both look at the Grand Canyon, we see something different. And don’t even get me started on Black and White imagery. While I DO enjoy some B&W images (like the works of Ansel Adams and Helmut Newton), we would not even KNOW about it if color had been available from the beginning. Weird how habit can become a standard by which other things are measured…even when it is BAD!

I use the best equipment available to me.  I use the best post processing software available to me. This is the same as a painter using the best paint and canvas he can afford.I no longer even OWN a film camera. If I shot film, I would be out of business in less than a year. No client is going to “wait for a couple days” for film to be processed any more.

SO…back to this show. I will concede that some people enjoy the random errors introduced by a lousy camera. From my point of view, if you can’t repeat what you have done, then it is not a controllable art form. Perhaps that is the draw for some artists, but that just makes me uncomfortable and subjects my “art” to the random failing of equipment. All of the “camera flaws” aside, what we have left are the basic concepts of good photography. Composition, line, form, movement, texture. The images in this show weren’t even well composed. In Photo 101 students learn basic art principles like the “Rule of Thirds”.  If the basic concepts of art are missing, no matter how randomly “cool” the effects are, we are still left with an ill composed, flatly printed, and poorly executed piece of wannabe “art”.

Bad photography doesn’t become good just because someone has enough money or backing to publicly display it. It’s still just BAD.

This blog COULD degenerate into a discussion of “what is Art”…but suffice it to say…bad photography is just BAD PHOTOGRAPHY. I say,”Raise the Bar!!”