Depth of Focus

About …   Depth of Focus

One thing we ALL hear when chatting with friends is,”Look at this – this is a great shot!” Inevitably, it is a cell phone photo of a friend of theirs and is a record of some sort of special moment. When people show me images on their cell phones and say,”Isn’t this great!”, I understand and acknowledge how special the photo is to them. However, if it is someone who is making the same statement about an image they’ve been hired to shoot and ask my opinion…the answer might be different.

Camera phones photos are now an integral part of our every day life. While the cameras in cell phones are good for many things, they are not currently capable of taking high quality and high resolution images. They also lack depth of focus control which is an important aspect of professional photographs. There are physical limitations to lens and chip size that make cell phones unable to compete with high end digital cameras with interchangeable lenses.

The most common use of a cell phone camera is, of course, selfies. No matter where we go, there are people taking selfies in front of this or that, selfies with a friend, or selfies of a new hat or new makeup. Every night out on the town adds more camera phone images and records of fun or embarrassing moments. The thing that people don’t notice or care about is how distorted, color incorrect, and low resolution these images are. This is because they are more interested in the “feeling” and memory of those moments rather than the technical issues. In addition, the images are mostly shared on social media and rarely made into prints and even if an image does go to print, the sizes are usually small.

The market for professional photography has been drastically reduced because cell phone photos are often deemed “good enough” and in some cases this is true, but there are instances where only a professional photo will be acceptable.
If someone buys you flowers and you take a photo of the beautiful bouquet, that’s “good enough”, but if you are a florist and need a shot of an arrangement you have created, a professional photo should be taken. Here is an example of the same photo taken with a professional camera and a cell phone.
It is obvious the flower is in focus in both shots but the background is drastically different. The “depth of focus” (sometimes referred to as “depth of field”) control is much greater with the pro camera and lens. Even though the cell phone was an iPhone X set on “portrait” mode to try and get the DOF reduced, there is still way too much in focus to make the shot pleasing.

 

Actors Headshot los angeles Actors Headshot los angeles Actors Headshot los angeles Actors Headshot los angeles

A side note at this juncture… if you are reading this and think the cell phone photo of the flower is better “because it’s sharper”, please stop reading and delete me from your notifications because I might also write a blog about “Bud” being sewer water NOT beer.

Depth of focus control becomes VERY important when people are involved. How many times have you seen an otherwise wonderful image messed up because of some yahoo in the background? A basic rule of photography is to isolate your subject to control where the viewer looks. When someone looks at a photograph you have taken, it is important that they are drawn to what you thought was important in the photo NOT what is in the background. If nothing else, photos with everything in focus are simply too “busy” and cluttered.
Hiring a professional photographer to shoot a family portrait is getting more rare because people see cell phone photos as “good enough” and “more real” and certainly less expensive. While these points are well taken, it should be noted that there are tradeoffs. Lens distortion, depth of focus, and often color issues are addressed only by professional equipment and in the hands of a professional photographer.

Here is an example of a shot of my son taken in the exact same spot in our yard. Taken with a cell phone, everything is in focus and the shot is cluttered and busy. Taken with my professional camera and lens, I can control the depth of focus and isolate him against a soft pretty focus controlled background. The difference in the two images is more than just depth of focus, there is a more intimate “feel” to the pro lens shot because the photo is ALL about him. There are no trees, flags, grass, gates, or sidewalks to distract from our view of just him. In addition, in the cell photo, his head is disproportionally large due to the distortion from the lens. This is a result of the lens being a “wide angle” instead of a “telephoto” lens a professional photographer would use. I’ll address this issue in another blog but for now, Depth of Focus, is the challenge.

Actors Headshot los angeles

Actors Headshot los angeles

Situations where DOF control becomes a critical part of image making are: head shots for actors, models, business people, celebrities, or family portraits. Any photo that will be used for publication, advertising, promotion, or ANY publicly viewed image. For these types of images, it is critical that ALL the attention goes to the subject. Backgrounds should never be distracting or take away from the image. Cell phone cameras simply cannot, because of lens and chip size limitations, compete with pro equipment.
Too often corporate heads will say,”Well..Jimmy in the mailroom has a camera. He can shoot our product. That’s good enough!” Corporate heads are trying to save money, understandably, but even though I can make a killer quiche, I won’t call myself a chef. A good chef has the tools and the talent that I do not.

When to hire a professional photographer is up for debate but the question of results is obvious. Being able to control Depth of Focus will make better images, sell more product, look more professional, and guarantee better results.

Headshot Photography Workshop –

Special Intensive Weekend Workshop:

Saturday, September 14 –
Sunday, September 15 –
(9 AM to 5 PM)

Saturday, 9 AM to 12 noon – Introduction
Saturday, 1 PM to 5 PM – Basic 

Sunday, 9 AM to 12 noon – Intermediate
Sunday, 1 PM to 5 PM – “Starting up as a business” / Special Guests

Two Days for $350

Individual Workshop:
Introduction $120
Basic: $150
Intermediate: $200
Seminar: “Starting up your photography business”: $120

Question?  email

Photography Workshop – Saturday, January 26, 2013

Los Angeles actors headshot photography workshop by michael helms

For one day only – Sign Up today – CLICK HERE

 

Frequently Asked Questions:

 

1) What are the hours of the workshop?

The hours of the workshop will be 9:00 A.M Till Sunset Saturday January 26, 2013 

2) What kind of photography experience should I have before attending?

Intermediate level photographers with a basic understanding of Adobe Lightroom and brief knowledge of Adobe Photoshop

3) What equipment do i need for the workshop?

A digital SLR, wide to medium focal range lenses, shoe mount flash unit i.e Nikon SB-24-Sb-900 or Canon 580ex speedlight, laptop (preferable) with Adobe Lightroom installed, and a willingness to change the way you shoot forever.

4) What clothing should i wear?

Casual

5) Who will benefit most from this workshop?

Persons interested in improving their off camera lighting, composition, and post production skills for Wedding and Portrait Photography

6) How much does the workshop cost?

The Workshop is 475.00 U.S.D, a 150.00 non-refundable deposit will be collected at the time of reserving your spot. The day of the Workshop the rest will be due the morning of.

 7) Where is the Workshop being held?

Michael Helms Photography Studio 10349 Siesta Drive  Shadow Hills, CA 91040

8) How many persons will be attending the Workshop?

We are taking up to 20 students

9) What is planned in the Workshop curriculum?

Studio Light Workshop -Sun. Nov. 25 – 3 pm to 8 pm

I have been a professional photographer in the Los Angeles are for over 37 years. When I first started shooting head shots for actors, everything was shot in Black and White and in a studio. This required a photographer to invest in expensive lighting equipment, backdrops, stands, reflectors, and a host of other items that were needed to produce professional quality images.

Here we are all these years alter and images are captured digitally and in color. There is no more film processing or waiting to see if the images are acceptable because we can look at an on camera monitor and make adjustments if need be.

However, in the studio, the same lighting techniques still hold true. Key lights, fill lights, background lights, hair lights, and whatever accent lights one chooses are still necessary to work in the studio effectively.

This coming November 25th from 3-8PM, I am hosting a one day intensive studio lighting workshop. We’ll discuss the choices a photographer must make regarding hair and makeup, lighting, cameras, lenses, and  reflectors. We’ll also go over the basic tools in Photoshop.

Workshop class will be limited to a small size so everyone can get personal attention.

I look forward to having you in my studio to learn about the basic lighting techniques for photography.

actors headshot studio lighting photo by michael helms

actors headshot in the studio - Photo by michael helms

For Actors: Camera gear n Photographer

Actors’ Headshots – the most important tool to Jump start your career!  Take it seriously.

I guess I am becoming Mr. Wolff in the headshot business nowadays.

Today I got yet another set of head shots in my email from an actor wanting me to see if I could save a disastrous set of photos. He decided to shoot with a “friend”. He thought he could help his friend get more established and add to his portfolio.

What he sent me was a set of photos that wouldn’t pass Photo 101 in any reasonable course study of photography. The photographer used a camera that is just slightly better than a point and shoot. He used the wrong lens for a head shot (35mm). He shot from a disturbingly bad angle (BAD idea to shoot UP at a jowly dude!) and the lighting was deplorable.

But the actor thought the photos were “OK, but not that great”. He asked me if I could “…fix them up a bit till he could come in and shoot with me”.

Why would an actor spend $100 on headshots OVER and OVER again before they get ONE SET of headshots that works for them?

I will offer one easy quick piece of advice at this point. If you are looking for a professional photographer to take your head shots, ask this simple question. “What camera do you use?”

And if the camera cost less than $2,500. Then just keep searching because professional cameras start at that base price. I have seen beautiful images shot on a cell phone, so I am not saying wonderful images cannot be shot on a lesser price camera. However, professional photographers use professional equipment. He will also have a backup in case something happens with his primary camera.

If an actor, model, or corporate leader takes their business seriously, they will invest in professional photos. You can help your friends, but don’t use it to represent you.

Photography is an expensive profession.  Just FYI – here’s my equipment – AKA: guns: (yeah, brag brag!)

 

Canon 1DS Mark II camera (primary camera)- $8,000.actors headshots by Michael Helms - blog - equipment

Canon 7D (backup camera) – $1,700.

Canon 16-35mm f2.8 lens – $1,700.

Canon 24-70mm f2.8 lens – $1,600.

Canon 70-200mm f2.8 AF IS lens – $2,500.

Canon 85mm f1.2 lens – $2,200.

Canon 100mm f2.8 lens – $1,000.

Canon 135mm f2.0 lens – $1,100.

I have also invested in lighting equipment, stands, computers, and a full studio with all the amenities.actors headshots by Michael Helms - blog - equipment

In short, I have survived the competitive LA market as a photographer for over 35 years because I take my job seriously and invest in my career. I continue to invest in my career.

To find the right photographer, ask for referrals, look at web sites, interview photographers IN PERSON, and ask a lot of questions. BEFORE you “just try and help a friend” put your career first.