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Today’s Odd Journey

I flew hang gliders for about 34 years but officially retired about 6 years ago. It was a sad day and I miss flying terribly. Today I drove over to the place where all the hang gliders land.

Soon as we exchanged greetings my friend Joe offered,”Hey wanna fly this glider?” and I said “Nah, I don’t have a harness” then another pilot/friend, Fred volunteered,”I’ve got a harness”. Me,”I don’t have a helmet”. Fred,”I have a helmet, too!”

Next thing I knew, I was headed up the mountain with a truck load of fellow flyers. We quickly set up our flying machines then ran off the mountain into the beautiful sky. I visited places a few miles away that I hadn’t seen in a long time and watched as a Red Tailed Hawk circled in an updraft hundreds of feet below me.

So many memories from hundreds of hours floating thousands of feet above the Earth were flooding my brain.

One particular memory was  meeting my dear friend, Wayne Yentis.  I met Wayne 25 years ago in the hang gliding landing zone (LZ). He was a tall lanky man with a twinkle in his eye and was most probably the brightest individual I have ever met. Truly a renaissance man… he was an artist, a photographer, an electrical engineer, a musician, a computer genius, an inventor (of  the Clavitar) and a host of other things. He knew more about more than anyone I have ever known. Wayne had a recording studio in his house and was constantly sending me files of music he had written, played, and produced. Beautiful music.

One particular day I was in his studio and we were having a beer…or two…or many… and I got this goofy idea to take Karaoke music and substitute hang gliding lyrics. It was utterly silly stuff that made no sense to anyone other than another hang glider pilot but in our compromised condition, it seemed a marvelous plan.

I said to Wayne “How about “I got VG?” as I sang the tune of “I Got You Babe” by Sonny and Cher.  He beer giggled.

For non-hanglider pilots, VG stands for “Variable Geometry” and refers to a string a hang glider pilot can pull that changes the shape of the wing in flight.

Then I started singing “On the Road Again” just like Willie Nelson, except I sang “In the Air Again.”

More beer giggles as Wayne recorded and mixed it.

The following week, I played one of our recordings for a fellow pilot who unwittingly believed we were serious and asked for a copy of it! Nothing feeds a gag like having an audience so I drove back to Wayne’s house with more beer, more Karaoke, and more silly lyrics. We recorded 15 songs, 12 of which made our cut onto the “Pelican Tunes” CD. When word got out, the local pilots bought them like hotcakes, then the Editor of Hang Gliding Magazine somehow got his paws on a CD and gave it a rave review in the international magazine! We were amused that pilots enjoyed the absurdity and got the jokes. Orders started coming in and we sold this CD all over the world.  That was over 7 years ago.

Today after about an hour of flight, I touched down and chatted with the guys in the LZ, when one of them mentioned “Pelican Tunes” had been used in a video of the European Hang Gliding Championships. I was shocked to say the least. SO…I did what any irresponsible gag writer would do, I Googled it…and wow….there it was…

I  seriously considered doing “Pelican Tunes 2” but Wayne Yentis passed away this Wednesday January 23rd, and with the passing of my partner in crime, my motivation is gone. The lyrics in my desk drawer will have to collect dust as the ink fades.

But have a beer and enjoy our goofy time together on YouTube.

Here’s to Wayne.

Interview: Magic Image 12/10

Headshots and Effective Marketing by Michael Helms

Los-Angeles-Headshot-Photographer-Michael-Helms

Bryan Batt

I have been a professional photographer in Los Angeles for 35 years. The thing I hear most when actors come to my studio is, “I just want a photo that really captures ME and who I really am!”

While this may sound good, it tells me there is a very basic lack of understanding of how this business works and how to carry out a strong marketing strategy. As harsh as it may sound, not ONE casting director in all of LA concerns themselves with who you really are. It is their job to CAST you not analyze you.

If you are a 30 year old female, you will get “Mom” roles, business women, nurses, a wife, or a host of other characters seen on TV and in movies. It doesn’t matter if you REALLY ARE a Mom or not…that’s why it’s called ACTING. If you are a curvy girl, don’t shoot sexy photos because you’ll get called in for an audition and find yourself in a room full of skinny models. Conversely, if you are a lovely young woman and you have a nice figure, understand that this is a business driven by money. What sells on TV and in movies is sex and violence. So make sure you have a sexy head shot.

Danny DeVito is a sexy leading man to Rhea Perlman because she is married to him, but it is not his casting. While “type casting” may not be right or fair, it is what it is. Get used to it.

Research, research, research to find the right photographer. The guy in your acting class who has a camera and will do your headshots for free or for fifty bucks is NOT a working professional. An actor who does head shots on the side is NOT a working professional photographer and if he has an audition the day of your shoot – you will be out of luck.

If you want this to be your career – invest in it. Go to a professional photographer. Look for someone with a studio (who can shoot natural light OR studio light), who has been in business for 10 years or more, who has a GOOD web site.

Los Angeles Actors Headshot by Michael Helms

GO SEE THEM! Don’t go to someone who shoots out of their apartment. Simply put, go to a pro. Beware of Agents or managers who INSIST you go to their photographer. An Agent should give you a list of known working pro photographers that you can choose from.Get plenty of sleep the night before your shoot. Don’t get involved in an argument with your significant other.

Don’t bring “a friend” to your photo shoot. Don’t bring your family or Mother or your dog. This is YOUR day.  Most of all… ENJOY your photo shoot. I often hear actors say how much they “hate having their photos taken”. This is your career…learn to love it. ALL of it. Taking headshots is an acting job just like any other acting job.

If someone tries to tell you “film is better than digital”, just walk away. You should expect to shoot, look at the photos on a computer, get them retouched, and have them burned onto a CD, and walk out with them done all in the same day.

Basically, it is a business. If you treat your acting career like a business, you will have a much greater chance of success!

Photography Workshop – Saturday, January 26, 2013

Los Angeles actors headshot photography workshop by michael helms

For one day only – Sign Up today – CLICK HERE

 

Frequently Asked Questions:

 

1) What are the hours of the workshop?

The hours of the workshop will be 9:00 A.M Till Sunset Saturday January 26, 2013 

2) What kind of photography experience should I have before attending?

Intermediate level photographers with a basic understanding of Adobe Lightroom and brief knowledge of Adobe Photoshop

3) What equipment do i need for the workshop?

A digital SLR, wide to medium focal range lenses, shoe mount flash unit i.e Nikon SB-24-Sb-900 or Canon 580ex speedlight, laptop (preferable) with Adobe Lightroom installed, and a willingness to change the way you shoot forever.

4) What clothing should i wear?

Casual

5) Who will benefit most from this workshop?

Persons interested in improving their off camera lighting, composition, and post production skills for Wedding and Portrait Photography

6) How much does the workshop cost?

The Workshop is 475.00 U.S.D, a 150.00 non-refundable deposit will be collected at the time of reserving your spot. The day of the Workshop the rest will be due the morning of.

 7) Where is the Workshop being held?

Michael Helms Photography Studio 10349 Siesta Drive  Shadow Hills, CA 91040

8) How many persons will be attending the Workshop?

We are taking up to 20 students

9) What is planned in the Workshop curriculum?